by Larry Fyffe
Ben Carruthers And The Deep perform a jacked-up version of a John Lee Hooker traditional blues tune, but with the following fragmented lyrics:
Jack O' Diamonds On the move Jack O'Diamonds One-eyed knave On the move Hit the street Bumps his head On the prowl He's down You'll only lose Shouldn't stay Jack O'Diamonds Is a hard card to play
(Ben Carruthers And The Deep: Jack O’ Diamonds ~ Carruthers/Bob Dylan)
There are those among us who wonder why Bob Dylan is given vocal credits for the song above. Well, it’s very clear that lines are taken directly from the following Dylan poem which alludes to the traditional Appalachian folk song ‘Jack Of Diamonds’:
Jack O' Diamonds Jack O'Diamonds One-eyed knave On the move Hits the streets Sneaks, leaps Between the pillars of chips Springs on them like Samson Thumps, thumps Strikes Is on the prowl You'll only lose Shouldn't stay Jack O' Diamonds Is a hard card to play
(Bob Dylan: Jack O’ Diamonds)
The song performed by Carruthers And The Deep continues:
Jack O' Diamonds Whew Jack O' Diamonds This one-armed prince Wears a single glove For sure He's not that lovin' Jack O' Diamonds Break my hand Leave me here to stand Jack O' Diamonds Is a hard card to play
(Jack O’ Diamonds: Carruthers/Dylan)
Dylan’s poem goes:
Jack O' Diamonds Wrecked my hand Left me here t' stand .... Jack O' Diamonds One-armed prince Wears but a single glove As he shoves Never loves .... A high card Jack O' Diamonds But ain't high enough Jack O' Diamonds Is a hard card to play
(Bob Dylan: Jack O’ Diamonds)
The song lyrics closely match those of the poem (printed on the cover of ‘Another Side Of Bob Dylan’ album):
Jack O' Diamonds Is a hard card Jack O' Diamonds Is a high card Jack O' Diamonds Is a high card But it ain't high enough Jack O' Diamonds Can open for riches Jack O' Diamonds But then it switches Colour by picture But it's only the Ten Jack O' Diamonds
(Jack Of Diamonds: Carruthers/Dylan)
The use of many phrases from Dylan’s long poem can hardly be called ‘sampling’:
Jack O' Diamonds Can open for riches Jack O' Diamonds But then it switches A colourful picture, but Beats only the Ten Jack O' Diamonds Is a hard card to play
(Bob Dylan: Jack O’ Diamonds)
Dylan revisits the line “Left me here t’ stand” in his ‘Tambourine Man’ – “Left me blindly here to stand, but still not sleeping”.
Dylan mixes up the medicine, and samples a Late Victorian poem that’s a speech given by a personna (he’s won, not a card game, but a duel – ‘I stand here now’); the poem reveals the speaker’s regret at what he has done:
Take the cloak from his face, and at first Let the corpse do its worst! How he lies in his rights of man! Death has done all death can Ha, what avails death to erase His offence, my disgrace? .... I stand here now, he lies in his place! Cover the face!
(Robert Browning: After)
Regret is expressed from a third-person point of view in the following song lyrics:
William Zanzinger killed poor Hattie Carroll With a cane that he twirled around his diamond ring finger .... But you who philosophize disgrace And criticize all fears Take the rag away from your face ..... William Zanzinger with a six month sentence Oh, but you who philosophize disgrace And criticize all fears Bury the rag deep in your face
(Bob Dylan: The Lonesome Death Of Hattie Carroll)
Note the the Dylanesque “rhyme twist” ~ ‘disgrace’/’face’.
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*And you who…
Like it! Great commentary on a “lost” Dylan track.
Of course the track gained further legitimacy as a Dylan original by being covered by Fairport Convention.
Would like to hear Larry’s thoughts on the 2 Ginsberg/ Dylan pieces…Vomit Express and Jimmy Berman Rag…as well as the track September On Jessore Road, which is a Ginsberg poem which Dylan and Ginsberg set to music…
**all fear
***most deep
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