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- Bob Dylan the concert series (number 51): 14 October 2016
- The Philosophy of Modern Song: I got a woman (and Just like a woman)
- No Nobel Prize for Music: Bob invents a totally new musical form
- Sitting On A Barbed-Wire Fence part 2 (final)
- What did you hear: The music of Bob Dylan. A review, part one
- Bob Dylan The Concert Series Santa Monica 1979
- Bob Dylan in the UK – what can we expect
- The Philosophy of Modern Song: On the road again (save a horse)
- Bob Dylan and US History: part 10
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Recent articles
- Bob Dylan the concert series (number 51): 14 October 2016
- The Philosophy of Modern Song: I got a woman (and Just like a woman)
- No Nobel Prize for Music: Bob invents a totally new musical form
- Sitting On A Barbed-Wire Fence part 2 (final)
- What did you hear: The music of Bob Dylan. A review, part one
- Bob Dylan The Concert Series Santa Monica 1979
- Bob Dylan in the UK – what can we expect
- The Philosophy of Modern Song: On the road again (save a horse)
- Bob Dylan and US History: part 10
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Bob Dylan the concert series (number 51): 14 October 2016
This is concert number 51 in our series in which we are trying to find a decent recording of a Dylan concert for each year from 1961 onwards in which Dylan performed and put them all together in one index, … Continue reading
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The Philosophy of Modern Song: I got a woman (and Just like a woman)
A personal reflection on the songs Bob selected for his publication, upon being given the Nobel Prize for Literature…. By Tony Attwood Music, as I have indeed said before, can trigger memories, and that is certainly the case here, for … Continue reading
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No Nobel Prize for Music: Bob invents a totally new musical form
Details of the previous articles in this series, which focus on Dylan’s music, rather than his lyrics, are given at the end of the article. By Tony Attwood My last article in the series “No Nobel Prize for Music” ( … Continue reading
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Sitting On A Barbed-Wire Fence part 2 (final)
Sitting on a Barbed Wire Fence Part 1 by Jochen Markhorst II Kansas City, here I come See my hound dog bite a rabbit And my football’s sittin’ on a barbed-wire fence On this first recording day for Highway … Continue reading
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What did you hear: The music of Bob Dylan. A review, part one
Recently Bob Dylan The Concert Series Santa Monica 1979 Bob Dylan in the UK – what can we expect By Tony Attwood When I first heard about “What did you hear?” by Steven Rings, I had to admit I … Continue reading
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Bob Dylan The Concert Series Santa Monica 1979
by Tony Attwood In this series I am trying to find a recording of a concert in each year, which represents in some way what Bob was doing and sounding like in that particular year. A list of all the … Continue reading
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Bob Dylan in the UK – what can we expect
By Robert Ford, On the eve of Bob Dylan’s forthcoming tour of the United Kingdom it seems appropriate to have a quick look back at his performing history in this part of the world. He first came to the UK … Continue reading
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The Philosophy of Modern Song: On the road again (save a horse)
By Tony Attwood Preface: I should have written this at the start of the very first article in this series but I didn’t, so here it is now. What fascinates me most in looking at the songs Bob selected for … Continue reading
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Bob Dylan and US History: part 10
by Larry Fyffe Bob Dylan has a lot the gall to make fun of Aretha Franklin in “Tarantula”. He claims that she is naive (words, spellings, and punctuation may vary a bit in different editions and bootlegs thereof). Below, … Continue reading
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Sitting On A Barbed-Wire Fence part 1: We haven’t got any words for it man
Please note: Jochen’s latest book “Rough and Rowdy Ways” is now available on Amazon ———– by Jochen Markhorst I We haven’t got any words for it man I paid fifteen million dollars, twelve hundred and seventy-two cents I paid … Continue reading
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How will Bob Dylan’s music be remembered, as the world continues to change?
By Tony Attwood As you may have noticed, Untold Dylan doesn’t advertise anywhere – we just sit here publishing between five and seven articles a week, with almost 4000 articles published and still online. So occasionally, as we have approached … Continue reading
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No Nobel Prize for music: One musical line sung 12 times to 130 words.
Details of the previous articles in this series which focusses on Dylan’s music, rather than his lyrics, is given at the end of the article. By Tony Attwood My last article in the series “No Nobel Prize for Music” took … Continue reading
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A great song makes quantum leaps
A great song makes quantum leaps “A great song mutates, makes quantum leaps, turns up again like the prodigal son. It crosses genres. Could be punk rock, ragtime, folk-rock, or zydeco, and can be played in a lot of different … Continue reading
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A History in Performance: Bringing It All Back Home, Side B. Afterthoughts and favourites.
Links to the articles that appeared in this series are published at the foot of this article By Mike Johnson It may be a little too easy to say that Bringing It All Back Home is a transitional album. … Continue reading
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Bob Dylan: the concert series (number 49): Niagra Falls 15 November 1975
Selection (but not the recordings) by Tony Attwood In this series, I am trying to find one recording of a concert in each year, which represents in some way what Bob was doing and sounding like in that particular year. … Continue reading
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The Philosphy of Modern Song from “Jesse James” to Po Boy
By Tony Attwood In this series, rather than review what Bob said about each song in his “Philosophy” book, written after he got the Nobel Prize for literature, I am offering recordings of the song/s in question, and my own … Continue reading
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No Nobel Prize for Music: creativity dries up…the descent towards the basement
Links to all the previous articles in the “No Nobel prize for music” series are given at the end of this article. By Tony Attwood In recent articles, I have been arguing that as Bob continued to write songs at … Continue reading
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Desolation Row – the 5th stanza
By Jochen Markhorst More than five years ago, on March 8, 2020, Tony posted here on Untold “Desolation Row – The Origins of the Title”, being Chapter 1 of my attempt to write an article about “Desolation Row”, which got … Continue reading
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Bob Dylan and US History 9
by Larry Fyffe (T)he little old man is planning revenge just as the same old time train shakes his picture of whistler’s mother painting off the wall (Bob Dylan: Tarantula) American James Whistler, who settled down in Britain, was a … Continue reading
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Bob Dylan: the concert series: Macron, Georgia, 27 October 2018: top quality throughout
by Tony Attwood In this series, I am trying to find one recording of a concert in each year, which represents in some way what Bob was doing and sounding like in that particular year. But I am also looking … Continue reading
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