- Bob Dylan and Bayard Taylor Part 1
- Bob Dylan and Bayard Taylor Part II
- Bob Dylan And Bayard Taylor (Part III)
by Larry Fyffe
Very unlikely that writers Bayard Taylor and William Blake are aware of the poems of Edward Taylor – so put the following lines up to sheer creative coincidence:
And, like a finer sunshine swims Round every motion of thy limbs The sweet, sad wonder and surprise Of waking glimmers in thine eyes (Bayard Taylor: Like A Finer Sunshine)
And these lines too:
Our life is scare the twinkle of a star In God's eternal day. Obscure and dim With mortal clouds, it may yet beam for Him And darkened here, shine fair to spheres afar (Bayard Taylor: What Know The Woods)
In reference to the verse below by the Puritan/Baroque poet:
You want clear spectacles: your eyes are dim Turn inside out, and turn your eyes within Your sins like motes in the sun do swim: nay, see Your mites are molehills, molehills mountains be (Edward Taylor: The Accusation Of The Inward Man)
The writer of the song lyrics beneath, however, might well be aware of either one or both Taylors; take from each and all what messages you have gathered from coincidence:
With your silhouette when the sunlight dims Into your eyes where the moonlight swims And your match-book songs, and your gypsy hymns Who among them would try to impress you (Bob Dylan: Sad-Eyed Lady Of The Lowlands)
For sure, Quaker Bayard Taylor sentiments are influenced by those of the pre-Romantic poet William Blake:
My heart, a bird with broken wing Deserted by its mate of spring Droops shivering, while the winds blow And fills the nest of love with snow (Bayard Taylor: Bird With Broken Wing)
Similar enough they be to the sorrow expressed in the following lines:
How can a bird that is born for joy Sit in a cage and sing How can a child, when fears annoy But droop his tender wing And forget his youthful spring (William Blake: The Schoolboy)
In the song lyrics below, Blake’s sorrowful outlook is mixed together with that of the dark Gothic visions of Edgar Allan Poe:
The wind howls like a hammer The night blows cold and rainy My love, she's like some raven At my window with a broken wing (Bob Dylan: Love Minus Zero/ No Limit)
Apparently drawing on Edward Taylor’s ‘Inward’ poem, the writer of the lines below surely points her cheeky finger at Dylan for ‘ borrowing’ from other artists:
But now it’s cloak and dagger
Walk on eggshells and analyze
Every particle of difference
Gets like mountains in your eyes
(Joni Mitchell: Good Friends)