Bob Dylan’s sense of humour

 

 

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By Tony Attwood

There are a fair number of sites that offer up a selection of Bob Dylan lines that stand out for the writer – and quite a few of them I’d agree: these lines are particularly memorable.  And by way of example I took a quick flip through various songs sites this morning and I found others had covered this topic long before me, coming up with such lines as…

  • Some people will offer you their hands and some won’t
  • I saw a highway of diamonds with nobody on it
  • Everyone is wearing a disguise
  • There’s a black Mercedes rollin’ through the combat zone

They are not laughter inducing lines, but they are what I think Bob does best – lines which make me pause, and later go back to them and think a bit further.

I even found an article headlined, “3 of Bob Dylan’s Most Memorable, Gut-Punching One Liners” written by By Alex Hopper, earlier this year and I thought that was worth mentioning since he came up with some lines that I haven’t seen picked out elsewhere.   Such as…

Steal a little and they throw you in jail / steal a lot and they make you a king (“Sweetheart Like You”)

And he also added the thought that “Dylan’s songwriting is often layered. He might be singing about one thing on the surface, but there is even more rich context hiding in between the lines.”

I’d go with that but take it a bit further, in that I have often had the feeling that he doesn’t see the world like many of us do.   By which I mean he is often (to use a phrase I have indulged in before) looking in all directions at once.

Indeed I think most of us might well recall “I gave her my heart but she wanted my soul” as one of his most well-remember early lines, a line which stresses that we are made up of multiple elements which can be pulling in different directions at the same time.

And maybe the entire song (“Don’t think twice, it’s all right” of course) tells us that we are all being pulled in multiple directions by the world around us, so we can’t easily just focus on one person, one issue, one thing.

Then I found The America Songwriter website which came up with

Steal a little and they throw you in jail /

steal a lot and they make you a king (“Sweetheart Like You”)

and also offered

I’ve heard you say many times 
That you’re better than no one
And no one is better than you 
If you really believe that 
You know you have 
Nothing to win and nothing to lose

And contemplating all these amazing quotes I wondered how it worked for Bob.  I mean, is he writing the song and then this extraordinary line come into his head, so he puts that in, or does the line come first and then he first the song around that line?

Thinking of this I came across a site from Snugfan: “50+ Funny Bob Dylan Quotes That Prove the Legend Has a Killer Sense of Humor”

You can read them all here, and of course many of them you will already know, but I rather did like this one…

“The highest purpose of art is to inspire. What else can you do? 
What else can you do for anyone but inspire them?”

And yes I would certainly go with that.   So what are we to make of lines such as this from Bye and Bye on Love and Theft.

“I’m sittin’ on my watch, so I can be on time.”

Amusing when you hear it once, but not necessarily that good over and over again.   And of course that is the problem with a joke in a song.   Songs are designed to be heard repeatedly, while jokes really aren’t that funny after you have heard them once or twice before.   That seems to be a considerable problem for me.

But the American songwriter website which noted the “watch” comment also came up with

‘Tombstone Blues’ (Highway 61 Revisited, 1965)

“The sun’s not yellow, it’s chicken!”

‘Motorpsycho Nightmare’ (Another Side of Bob Dylan, 1964)

“I like Fidel Castro and his beard.”

And the funny thing about those was that neither of them actually ever made me laugh.   Somehow it seems for me that humour doesn’t really work in songs.   But maybe that is just a sign of me being sad and old.   Or maybe it is something deeper about the nature of songs.

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5 Responses to Bob Dylan’s sense of humour

  1. bert wels says:

    Dear mr Miller,

    Recntly i reas d book on a Dutch cairvoyant who was pretty famous in the early twentiwth centurty.
    Pictures, press reactions, anecdotes etc etc.
    What struck me is an annoucment of his show in Weert, a small town in the sourthern part of Holland.
    He was clever enough to have a support act.
    That night the openers were The song singing Willburt brothers.

    27 april 1937.

    If i knew where to I would gladly send you a picture .

    Kind regards

  2. bert wels says:

    sorry fot all the mistakes. Most important one : the song singing Wilbury brotheres.

  3. David Devine says:

    Good Article There is aline on “Dreaming of You” that makes me laugh.
    “maybe you were there or maybe you were’nt
    Maybe you picked up something and got burnt”

  4. Rolo says:

    Ah yes, our brains have been mismanaged with great skill.

  5. Richard Keys says:

    “My clothes are wet, tight on my skin
    Not as tight as the corner that I painted myself in
    I know that fortune is waitin’ to be kind
    So give me your hand and say you’ll be mine” (Mississippi)
    Funny, but there is an undercurrent of emotion there, too. The knock knock joke at the end of “Po Boy” also strengthens what the song describes. Just as, “The pump don’t work /’Cause the vandals took the handles” is a perfect closing for “Subterranean Homesick Blues”.

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