Jack o’ Diamonds; the metamorphosis of a song with some Bob Dylan therein

By Tony Attwood

The composition Jack O’Diamonds has been reported as being composed by Bob Dylan and Ben Carruthers, and it has a very interesting origin and evolution.  Whether this is a “real” Bob Dylan composition, I’ll leave you to decide – but it has been mentioned in dispatches – my thanks to Aaron G for his comment which led me into this.

According to Second Hand Songs “Carruthers took it upon himself to create a song based upon some poetry/prose that Dylan had penned for the sleevenotes of his ‘Another Side Of Bob Dylan’ album. Carruthers (as well as being an actor) had worked as a secretary for Dylan’s manager Albert Grossman and it’s believed this connection made the whole thing possible.”

The story starts with Blind Lemon Jefferson – or possibly with earlier folk singers, I regret my knowledge of the early blues/folk genre although ok at times doesn’t tell me exactly where this song first came from.

Alan Lomax who knows far more about this music than I ever will says in “Our singing country” (1941) that it was a Texas gambling song that was popularized by Blind Lemon Jefferson (which is good enough for me).   It was apparently sung by railroad men who had lost money playing conquian (a game known in England as rummy) and the song comes from a family of similar songs originating in Britain.

If you are interested in the way these songs mutated across the years and across the centuries here is The Waggoners Lad which, different though it now sounds actually does come from the same original source.  (However this is a diversion, added because I particularly like this version)

But back to Jack O Diamonds and our main theme here…

Here are the opening lyrics sung by Blind Lemon Jefferson

Jack O’ Di, Jack O’ Diamond
Jack O’ Diamond’s a hard card to play
Jack O’ Diamonds once in time
He did rob a friend of mine
Jack O’ Diamonds is a hard card to play

Bet the Jack against the Queen
It’s gonna turn your money green
Jack O’ Diamonds is a hard card to play

Dylan did not record the song, as far as I know, but the sleeve notes to Another Side of Bob Dylan contain this (to make it easier to read I am combining the lines which on the sleeve notes are mostly two or three words long – and I am only giving the opening lines).

This is just the opening extract from Dylan’s poem on the sleeve notes…

jack o’diamonds / jack o’diamonds / one-eyed knave / on the move

hits the street / sneaks. leaps / between pillars of chips / springs on them like samson

thumps thumps / strikes / is on the prowl / you’ll only lose / shouldn’t stay

jack o’diamonds / is a hard card t’ play

 That is the first verse. 

Finally here are the lyrics from the Fairport Convention song

Jack O’Diamonds, one-eyed knave
On the move, hits the street
Bumps his head, on the ground
Well, he’s a scout, you’re born to lose
Shouldn’t stay

Jack O’Diamonds is a hard card to play

Jack O’Diamonds, yeah Jack O’Diamonds
This one-eyed prince, wears a single glove
Oh sure, he’s not that lovely
Jack O’Diamonds broke my hand
Left me here to stand


So, bits of an old blues, a fraction of Dylan’s sleeve notes, and a new melody. I am not sure if this really warrants Bob being credited with the lyrics.  Certainly Bob has never returned to the song – which is hardly a definitive comment about its authorship, but I think it helps lead us in the right direction.  To my mind there is some Bob here, but not that much.

Fairport Convention recorded Jack o’ Diamonds, with the wonderful Judy Dyble singing, for their first album released in 1968, and a second version with Sandy Denny singing was released in their Live at the BBC set.

Here is the original Ben Carruthers version


And the original Fairport version…

So a Dylan song?  Well, up to a point maybe, but I am not sure it is mainstream.

On the other hand the finer points of who wrote what has never been part of Bob’s concern, so I guess we needn’t get too hung up about it here.  I’m now including the song in my list of Bob’s songs with a note about the input from others. Maybe the correct authorship should state:

Traditional blues with added material by Dylan and Carruthers.

Judy very kindly forwarded me a video of her singing “Faded Elvis” which I’d like to share

And as it has given me a chance to mention Judy Dyble – if you don’t know her work and you have a spare 45 minutes you could try Judy’s latest album is Earth is sleeping, which is on Spotify.

What else is on the site?

You’ll find an index to our latest posts arranged by themes and subjects on the home page.  You can also see details of our main sections on this site at the top of this page under the picture.

The index to the 500+ songs reviewed is now on a new page of its own.  You will find it here.  It contains reviews of every Dylan composition that we can find a recording of – if you know of anything we have missed please do write in.

We also have a discussion group “Untold Dylan” on Facebook.  Just type the phrase “Untold Dylan” in, on your Facebook page or follow this link 

And please do note   The Bob Dylan Project, which lists every Dylan song in alphabetical order, and has links to licensed recordings and performances by Dylan and by other artists, is starting to link back to our reviews.


  1. Love it. Great exploration, very interesting journey for this track. Agreed, I love the Judy Dyble vocal on the Fairport version!

    I did think of some more ( fairly tenuous) Dylan tracks so didn’t include them initially. I doubt these warrant individual reviews but thought they might at least be worth a comment!

    Crosby, Stills, Nash & Young Seen Enough from the hugely underrated Looking Forward album. The track is credited to Stills/Dylan but only because the melody and music is very similar to Subterranean Homesick Blues.


    Must Be Santa from Dylan’s own Christmas In The Heart album. Even though not credited Dylan definitely updates the lyrics in at least one verse. Plus the video is awesome!!


    Last one, honestly! Dylan’s most recent release appeared on an LGBT themed EP called Universal Love. He sings He’s Funny That Way. He changes the gender from ‘she’ to ‘he’ so he is singing a love song to a man and it is amazing! Probably my favorite of all the American Songbook
    era he has covered. Couldn’t find a copy on YouTube to listen to but it’s definitely worth checking out on Spotify.

  2. Might be interesting to note that Richard Thompson, Fairport Convention guitarist at the time of their version of this song, recorded another (live) version years and years later.
    You’ll find it on “The Chrono Show (Live Versions Of Vintage Favourites)” released in 2004 on his own label Beeswing Records (BSW006)


    RT brought the song to FC as he had access to (promo-) singles, incl. that one by Ben Carruthers & The Deep, via drummer Nick Jones in his earlier band. He landed a job at Melody Maker via his MM-journalist father Max.

  3. In Britain in the early/mid 1960s the BBC broadcast plays on Wednesday evening. My (admittedly poor) memory is that the song Jack o Diamonds was used in one. Bob Dylan also appeared in one of the plays (no recording exists). In my mind it was the same play but I could be wrong about that.

  4. I think Dylan played the song on a famous BBC TV play in the early 60s which I recall watching. The recording has been lost. Can anyone confirm?

  5. The tv play starred Ben Carruthers and was titled something like Man Without Papers.
    Dylan was not in the play.

  6. check out the version by the daily flash. they were from seattle Washington 1966..they cut this as their 1st 45 on the parrot label number 305. they credit them selves as writers. the b side is the first version of dylans queen jane. that was recorded again as parrot 308 with jack o diamonds as the a side again.. doug hastings was their lead guitarist who left to join buffalo springfield in the spring of 67 when neil young jumped ship.

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