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- From A Buick 6 part 8: Carmen got a little six Buick
- 1971: When Bob said, “I’ll show you I’m more than 3 chords”: When I paint my masterpiece
- The Philosophy of Modern Song: You don’t know me
- Bob Dylan: the Concert Series. 18 November 2005
- From A Buick 6 part 7: The steam shovel and the dump truck
- No Nobel Prize for Music, but an honorary degree nevertheless. But why was Bob not pleased?
- When Bob clearly said, “Songs don’t have to mean anything:” The Whiffenpoof Song.
- Bob Dylan the concert series: 13 November 2008
- From A Buick 6 part 6: Boy, this is love
- No Nobel Prize for Music: Three Angels, an experiment that leads nowhere
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Recent articles
- From A Buick 6 part 8: Carmen got a little six Buick
- 1971: When Bob said, “I’ll show you I’m more than 3 chords”: When I paint my masterpiece
- The Philosophy of Modern Song: You don’t know me
- Bob Dylan: the Concert Series. 18 November 2005
- From A Buick 6 part 7: The steam shovel and the dump truck
- No Nobel Prize for Music, but an honorary degree nevertheless. But why was Bob not pleased?
- When Bob clearly said, “Songs don’t have to mean anything:” The Whiffenpoof Song.
- Bob Dylan the concert series: 13 November 2008
- From A Buick 6 part 6: Boy, this is love
Author Archives: TonyAttwood
Bob Dylan: the greatest songwriter of all time?
By Tony Attwood Songs, like stories, have long been a central part of western society, and although the absolute history of songs goes beyond my knowledge limits, I think that every society that we know anything about has songs as … Continue reading
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Bob Ulysses Disguised As Mack The Knife
By Larry Fyffe In the ancient tale of adventure, the Greeks warriors who were victorious over the Trojans take credit for what the gods have done. As a consequence, Ulysses faces the wrath of the Sea God as the … Continue reading
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When the deal goes down & Huck’s Tune/ Bob Dylan believes in God – poetically speaking
by Joost Nillissen When the deal goes down (Modern Times) is a pretty sombre, but straightforward song, except for the last line of each verse: I’ll be with you when the deal goes down. And it is that line that … Continue reading
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Bob Dylan and Lord Tennyson: Flagging down the Double E
. By Larry Fyffe As I often have noted, Bob Dylan’s song lyrics are rather consistently double-edged. Many of his song lyrics show a side of life bathed in bright light, akin to the poems of the Romantic Transcendentalists who … Continue reading
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Bob Dylan’s Angelina: the alternative view
Angelina / Bob Dylan – A deep sense of regret by Joost Nillissen Tony Attwood struggled with this song in his commentary and Len hit the nail on the head with his comment of November 20, 2016. It’s about an … Continue reading
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When the deal goes down by Bob Dylan. A religious tract or rumination on death?
By Tony Attwood The journal “Psychology Today” has a long history of commenting on Bob Dylan so it was not too surprising to find it making the comment that “The attitude of dwelling in the pain of human finitude is … Continue reading
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Bob Dylan And Edgar Allan Poe: the howl in the songs
by Larry Fyffe The ghostly poetry of Gothic Romanticist Edgar Allan Poe howls in the songs of Bob Dylan, in songs that depict psychological forces demonic and dark in conflict with those godly and light. In the poems of … Continue reading
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I and I / Bob Dylan – an alternative vision
by Joost Nillissen The song starts with one of the greatest riddles in the Hebrew Bible. I and I is one of the possible translations of “ehyeh asher ehyeh” (Ex. 3:14). Other translations are: “I am who I am”, “I … Continue reading
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Does it matter if Bob Dylan copies other people’s words and melodies?
By Tony Attwood When it was suggested that Dylan had lifted descriptions of three novels from summaries available on the internet when making his Nobel speech there were quite a few people who made a bit of a fuss about … Continue reading
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Bob Dylan And Samuel Coleridge (Part ll)
. Bob Dylan And Samuel Coleridge (Part ll) (or maybe III) (Part one appears as The Land Of Milk And Honey: Bob Dylan And Samuel Coleridge while part II (ish) is published under Bob Dylan And Henry Timrod: The Country … Continue reading
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Bob Dylan’s “My Back Pages”. He was so much older then.
By Joost Nillissen Now that I am about to enter a new phase of my life, I look for a song to ease the passage into retirement. Rather morbidly I thought Tombstone Blues might be appropriate I wish I could … Continue reading
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Untold’s Exclusive Interview With Bob Dylan
Untold’s Exclusive Interview With Bob Dylan Interview conducted by Larry Fyffe Location: The ‘Untold Office’ on the roof of the 12-storey Saint James Hotel in New York City Untold: Thanks for coming up to visit us, Bob….You sound a … Continue reading
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Bob Dylan And Allen Ginsberg
Bob Dylan And Allen Ginsberg By Larry Fyffe Poets who influence Beat Poet Allen Ginsberg include Walt Whitman, Emily Dickinson, and William Carlos Williams, and, especially, the pre-Romantic poet William Blake who exalts physical sex as an integral part of … Continue reading
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Bob Dylan: the movie years 2001/2005
By Tony Attwood After writing and recording “Love and Theft” Bob Dylan entered another sparse period of song writing, and indeed much of the 21st century can be characterised in terms of a far less active period of composition than … Continue reading
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Bob Dylan And Henry Timrod: The Country Coleridge Rambles
By Larry Fyffe If you have been following Untold Themes, you will know I have pointed out previously that when the singer Bob Dylan pays tribute to a poet by referencing a poem, the songwriter may take direct quotes from … Continue reading
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Cross the green mountain: Dylan’s civil war song
by Tony Attwood This little article took me much longer than usual to write – for reasons that I think are quite apparent in the article itself. But because I got so tangled up with the issues I faced … Continue reading
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Bob Dylan & Lawrence Ferlinghetti: from Mona Lisa’s trial to the Reader’s Digest
Bob Dylan And Lawrence Ferlinghetti By Larry Fyffe Under the influence of poet William Carlos Williams, Lawrence Ferlinghetti writes sardonic poems in plain language about the American vision of a Promised Land shattered by the material greed of New Babylon, a … Continue reading
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Bob Dylan in 2000/1: an old approach to writing songs, and a new approach too.
By Tony Attwood Song of the Year: Honest with Me Returning to composition in 1996 after a five year break, Dylan spread the writing of Time Out of Mind across late 1996 and early 1997, and then once again stopped … Continue reading
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Bob Dylan and Andre Breton
Bob Dylan And Andre Breton By Larry Fyffe In his poetic basement, Andre Breton, French poet, mixes up the medicine of Karl Marx’s exploitative economics with that of the subconscious mind. Under its influence, Bob Dylan broadens protest against a … Continue reading
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One line to carry with you: why Dylan’s lyrics are so important for so many people
By Tony Attwood A short while ago I wrote an article in response to the accusation that some of us who like Bob Dylan’s music, were in fact obsessed by Bob Dylan. I thought it was a rather personal reflection … Continue reading
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