Author Archives: Tony Attwood

The Lyrics and the Music: “I Want You”. It was never meant to be like this.

    I don’t know what it means either: an index to the current series appearing on this website. ———– “The Lyrics and the Music” is a series by Tony Attwood which sets out to find out what happens when one reviews … Continue reading

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When I Paint My Masterpiece (1971) part 2: Oh, the streets of SoHo

  I don’t know what it means either: an index to the current series appearing on this website. by Jochen Markhorst When I Paint My Masterpiece part 1: She’s delicate and seems like a Vermeer II          Oh, the streets of SoHo … Continue reading

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The Never Ending Tour Extended: Positively 4th Street, 1994-2006.

  I don’t know what it means either: an index to the current series appearing on this website. The Never Ending Tour Extended: This series uses recordings selected by Mike Johnson in his inestimable masterpiece The Never Ending Tour, and looks at how those … Continue reading

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Melancholy Mood: Bob’s extraordinarily successful total reworking of a classic

  I don’t know what it means either: an index to the current series appearing on this website. Commentary by Tony Attwood, audio kindly provided by Mr Tambourine. Melancholy Mood starts at 1′ 14′ 08″ and is an upbeat rendition of … Continue reading

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A Dylan Cover a Day: “When He Returns”

By Tony Attwood As you will be aware if you have followed any of this series, I am working through Dylan’s compositions in alphabetical order and writing about the songs where there are at least a couple of interesting commercial … Continue reading

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It’s all right ma: life really is ok despite everything. The lyrics and the music

  I don’t know what it means either: an index to the current series appearing on this website. “The Lyrics and the Music” is a series by Tony Attwood which sets out to find out what happens when one reviews a Dylan … Continue reading

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When I Paint My Masterpiece part 1: She’s delicate and seems like a Vermeer

  When I Paint My Masterpiece (1971) part 1 by Jochen Markhorst I           She’s delicate and seems like a Vermeer  The wonderful documentary Tim’s Vermeer (2013) does stir things up among the esteemed ladies and gentlemen of art critics and … Continue reading

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The Never Ending Tour Extended: Love Minus Zero / No Limit 1988-1996

I don’t know what it means either: an index to the current series appearing on this website. The Never Ending Tour Extended: This series uses recordings selected by Mike Johnson in his inestimable masterpiece The Never Ending Tour, and looks at how those performances … Continue reading

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The Rough and Rowdy Ways Tour 13: I made up my mind to give myself to you

I don’t know what it means either: an index to the current series appearing on this website. Commentary by Tony Attwood, audio kindly provided by Mr Tambourine. “I made up my mind to give myself to you” starts at 1.08′.09″   … Continue reading

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High Water (for Charley Patton) part 25: 653 10th Avenue, Hell’s Kitchen, Midtown Manhattan

“Maybe you noticed that most of my songs are traditionally rooted. I don’t do that on purpose. Charley Patton’s 30’s blues has made a deep impression on me and High Water (for Charley Patton) is, in my opinion, the best … Continue reading

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A Dylan Cover a Day: When the ship comes in

By Tony Attwood This is probably the most frustrating of all the episodes of Dylan Cover a Day, that I can remember, because I think this is a superb song, and thus it ought to be possible to generate a … Continue reading

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The Lyrics and the Music: It’s all over now Baby Blue

I don’t know what it means either: an index to the current series appearing on this website. “The Lyrics and the Music” is a series by Tony Attwood which sets out to find out what happens when one reviews a Dylan … Continue reading

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The Never Ending Tour Extended: Shelter from the Storm 1989-96

  I don’t know what it means either: an index to the current series appearing on this website. The Never Ending Tour Extended: This series uses recordings selected by Mike Johnson in his inestimable masterpiece The Never Ending Tour, and looks at how those … Continue reading

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The Rough and Rowdy Way Tour – 12: Got to Serve Somebody

I don’t know what it means either: an index to the current series appearing on this website. Commentary by Tony Attwood, audio kindly provided by Mr Tambourine. Got to Serve Somebody starts at !:02:55 “Gotta Serve Somebody” from Slow Train Coming … Continue reading

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High Water (for Charley Patton) (2001) part 24. Via Sistina 69, Rome

“Maybe you noticed that most of my songs are traditionally rooted. I don’t do that on purpose. Charley Patton’s 30’s blues has made a deep impression on me and High Water (for Charley Patton) is, in my opinion, the best … Continue reading

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A Dylan Cover a Day: When the night comes falling from the sky

By Tony Attwood This is one of those songs where lots of amateur performers have created solo versions which they feel are worthy of worldwide attention and so have put them on the internet, but which professional performers have by … Continue reading

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The lyrics and the music: It takes a lot to laugh it takes a train to cry

  I don’t know what it means either: an index to the current series appearing on this website. “The Lyrics and the Music” is a series by Tony Attwood which set out to find out what happens when one reviews a … Continue reading

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The Never Ending Tour Extended: To Ramona. 1989 to 2000

  I don’t know what it means either: an index to the current series appearing on this website.   The Never Ending Tour Extended: This series uses recordings selected by Mike Johnson in his inestimable masterpiece The Never Ending Tour, and looks at how … Continue reading

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The Rough and Rowdy Ways Tour 11: Key West (Philosopher Pirate)

  I don’t know what it means either: an index to the current series appearing on this website. Commentary by Tony Attwood, audio kindly provided by Mr Tambourine.   Key West begins at 54’15”. The basis of this performance is pretty … Continue reading

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High Water 23: Love and Theft

  “Maybe you noticed that most of my songs are traditionally rooted. I don’t do that on purpose. Charley Patton’s 30’s blues has made a deep impression on me and High Water (for Charley Patton) is, in my opinion, the … Continue reading

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