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Recent articles
- Theme Time Radio Hour: “Rich Man Poor Man” – the songs of hope and contrast.
- Key West part 11. Here’s my man, the great David Allan Coe
- The Philosophy of Modern Song: My Prayer
- No Nobel Prize for Music: the staggeringly wonderful “Abandoned Love”
- Dylan Song of the Year 1966: One of Us Must Know (Sooner or Later)
- Key West part 10: What a long strange trip it’s been
- Theme Time Radio Hour: why are all the car songs 12 bar blues?
- “Philosophy of Modern Song”: Blue Suede Shoes. This is MY style!
- No Nobel Prize for Music: I guess its just “Up to me”
Category Archives: Uncategorized
Bob Dylan And Harold Pinter (Part III): Hearts Of Fire
Bob Dylan And Harold Pinter part 1 Bob Dylan And Harold Pinter (Part II) By Larry Fyffe Off to the Land of Blake, and Wordsworth’s Lakes, the young Bob Dylan flies. There, an association with BBC-TV director Philip Saville acquaints … Continue reading
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Dignity: part V – Nowhere to fade
Dignity Regained Dignity Part 1: A bloody mess Dignity Part II: You can never play too much Bob Wills Dignity Part III: One line brings up another Dignity part IV: I contain multitudes by Jochen Markhorst V Nowhere to fade … Continue reading
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All Directions at Once 11: Beyond the remains of Desolation Row
A full index to the previous articles in this series is available here. By Tony Attwood After composing “Desolation Row” Bob Dylan might have been forgiven for taking a little break; he had after all created a monument, something that … Continue reading
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Never Ending Tour, 1993, part 4 – The Supper Club and beyond.
By Michael Johnson On the 16th and 17th of November, 1993, Bob Dylan did a two day season at New York’s Supper Club, doing two concerts a day, morning and evening, ten songs per concert. The recordings made at these … Continue reading
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The Highway Is for Gamblers: Joyce Carol Oates, Bob Dylan, and Bruce Springsteen Take a One-way Trip
This article originally appeared on “Pop Matters”. By Christopher John Stephens Director Joyce Chopra’s 1985 film Smooth Talk could have been a perfect adaptation of the difficult 1966 Joyce Carol Oates short story “Where Are You Going, Where Have You Been?” Certainly … Continue reading
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Dylan’s videos: The Wilbury years
By Aaron Galbraith For this week let’s take a quick look at the videos put out by The Traveling Wilburys. I say “quick” as once you’ve seen one Wilbury’s video you’ve seen ‘em all. Still they are a lot of … Continue reading
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Bob Dylan And Harold Pinter (Part II)
Bob Dylan And Harold Pinter part 1 by Larry Fyffe Bob Dylan becomes aware of English playwright Harold Pinter’s motifs concerning lower and middle class families even before he performs on TV in the “log cabin” for the Canadian Broadcasting … Continue reading
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Dignity part IV: I contain multitudes
by Jochen Markhorst Previously in this series Dignity Part 1: A bloody mess Dignity Part II: You can never play too much Bob Wills Dignity Part III: One line brings up another Herodotus finds it worth mentioning in his … Continue reading
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Why does dylan like Pontchartrain, Legend in my time, and Homeward Bound?
Selection by Aaron Galbraith, words by Tony Attwood The Lakes of Pontchartrain This is a rarity – for we can start with an explanation of how Bob came to learn one of the songs that needs covering in the “Why … Continue reading
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All directions at once part 10: Everybody’s shouting, “Which side are you on?”
by Tony Attwood Links to the previous articles in this series appear at the foot of this piece and on the “All Directions” Index In this series I am trying to put forward the notion that while there is a … Continue reading
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Bob Dylan And Harold Pinter part 1
By Larry Fyffe In the empty lot where the ladies play blindman’s bluff with the key chain And the all-night girls they speak of escapades out on the ‘D’ train We can hear the night watchman click his flashlight Ask … Continue reading
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Dignity (1989) part III: One line brings up another
Dignity Part 1: A bloody mess Dignity (1989) part II: You can never play too much Bob Wills by Jochen Markhorst It suits well, the poetic perfection of the opening verse. So much so that the poet uses it as … Continue reading
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Bob Dylan And Chuck Berry, and some wonderful videos
By Larry Fyffe If you’re talking about Bob Dylan and rocknroll, you’re talking about both the lyrics and music of Chuck Berry who hypes up rhythm and blues: Bertha Mason shook it, broke it Then she hung it on the wall … Continue reading
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All directions at once 9: So far ahead of the game we lost sight
By Tony Attwood If I wanted to point you to just one moment in Dylan’s songwriting life that justified the title “All directions at once,” and if I really was told, “just one moment, no more, just one,” I would … Continue reading
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Dylan’s Rarities: Hang me, Hey Joe and Heartbeat
by Aaron Galbraith and Tony Attwood If you have been following the “All directions at once” series you may have noticed a mention of the traditional song “Hang me oh Hang Me” Philip Saville invited Bob to perform three songs … Continue reading
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My own love song – Dylan’s instrumentals and other soundtrack songs
by Tony Attwood Mike Smith has reminded Aaron and myself that Dylan wrote a series of instrumental pieces for Olivier Dahan’s film “My own love song.” This gives us a problem on Untold Dylan, because I have for years proudly … Continue reading
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Bob Dylan And The Tombstone Blues (Part VI)
The series so far… Stuck inside of Halifax with the Tombstone Blues Again Bob Dylan: The Titanic Tombstone Blues (Part II) Bob Dylan And The Tombstone Blues (Part III) Bob Dylan And The Tombstone Blues (Part IV) Bob Dylan And … Continue reading
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Dignity (1989) part II: You can never play too much Bob Wills
Previously: Dignity Part 1: A bloody mess by Jochen Markhorst II You can never play too much Bob Wills “The list could be endless,” says Dylan, referring to the many archetypes appearing in “Dignity”. Thus, the songwriter implicitly reveals that … Continue reading
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All directions at once: Bob Dylan in 1964; (while we were still in 1963)
By Tony Attwood This is part 8 of “All Directions at once. Previous episodes are… 1: A song is like a painting, you can’t see it all if you’re standing too close 2: All directions at once: how Dylan’s lyrics empower those … Continue reading
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More Ginsberg and Dylan – the final chapter (we think)
By Aaron Galbraith and Tony Attwood For you baby: Dylan and Ginsberg and the influence of the Beat generation Vomit Express by Bob Dylan and Allen Ginsberg. What’s it all about? See you later Allen Ginsberg (1 and 2). Tracing … Continue reading
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