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Recent articles
- Tomorrow Is a Long Time: the list of cover versions is eternal
- Bob Dylan: “Masters” and jumping from theme to theme
- Murder Most Foul part 14: A cool breeze from a camel’s ass
- Apologies for the down time
- Bob Dylan: From a song a day, to no new songs, to “kick your shoes off”
- Dylan improvising for fun is not so far from Dylan writing a serious song
- While thinking of Bob, a frightening thought about Bill Haley
- Does Bob still care?
- Murder Most Foul part 13: The Fender Bender Poet
Category Archives: Uncategorized
Dylan in 1964: the overview. Adding new themes to the repertoire
By Tony Attwood This article is part of a series in which the Dylan’s songs, considered in the order in which they were written, are considered as a sequence of writing, in order to see how the themes within his … Continue reading
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Bob Dylan in 1963: the overview. Dylan the storyteller.
By Tony Attwood Dylan exploded onto the music scene as a composer in 1962 writing 20 songs of great accomplishment, most particularly such masterpieces as Blowing in the wind Hard Rain’s a gonna fall Don’t think twice These three songs … Continue reading
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Only a hobo; Dylan’s re-working of several traditional songs, finally rescued by Rod Stewart
By Tony Attwood I have “Only a Hobo” down as a 1963 composition, but there is a recording on the internet which lists it as 1962. We know that it was recorded on August 12 1963 as part of the … Continue reading
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Bob Dylan’s compositions of 1962 and their themes: what was Dylan doing in his first prolific year?
By Tony Attwood The Chronology Files of Bob Dylan for 1961 show that Bob wrote four songs that are particularly remembered today (although not considered in any way to be masterpieces), three of which are strongly related to life in New … Continue reading
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Whatcha Gonna Do? Dylan’s magnificent 1962 blues, once rushed, once perfect
By Tony Attwood Two versions, one from November and one from December 1962. One is on the Witmark Demos and the other is linked below; I am not sure which is which. But I do think the non-Witmark version is … Continue reading
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Hero Blues: the song that almost replaced the magnificent “One to Many Mornings”
by Tony Attwood Hero Blues is, to tell the truth, nothing special, and in my original list of compositions of 1962, I didn’t include it. It was only because I realised that Dylan had revived it some years later that … Continue reading
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Kingsport Town: Dylan in 1962 looking back to the traditions of the travelling singer
By Tony Attwood It is quite clear that during 1962 Dylan was exploring the various types of folk genre just to see what he could do with them, and included in the range of songs he experimented with he found … Continue reading
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“Walkin Down the Line” by Bob Dylan. Everyone seems to have recorded their own version
By Tony Attwood This is another Dylan song that appears in slightly differently guises on the Whitmark album and on Bootleg 1-3. A two chord song in which again Dylan manages to play the chords against the melody in a … Continue reading
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Paths of Victory: various versions of Dylan’s song, and a sousaphone
by Tony Attwood There is of course no single agreed set of hymns to sing in Christian services, and so there are hundreds – probably thousands – of hardly used songs that turn up in some hymnals, and not in … Continue reading
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Quit your Lowdown Ways: a major hit for Bob Dylan, although now somewhat forgotten
by Tony Attwood It didn’t take long (once he got to writing full time) for the rest of the world to find out that one could do all sorts of things with Dylan songs, and “Quit your lowdown ways” – … Continue reading
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Bob Dylan’s Rambling Gambling Willie: three versions including one masterpiece.
By Tony Attwood This is the version of Rambling Gambling Willie that you might know from its revivals… but stay with us, because there is another Rambling Gambling Willie which we’ll come to later. The outsider, the outlaw, the loner, … Continue reading
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Dylan in 1961: the overview
by Tony Attwood The four original songs that stand out from this year (the first in which we can recognise Dylan emerging as a singer/songwriter of note) consist of three humorous pieces and a commentary on the inhumanity of modern … Continue reading
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Hard times in New York Town; Dylan re-writing rural classics for the urban chic.
by Tony Attwood Updated 25 Sep 2020 with defunct video replaced The fourth and final song from Dylan in 1961 is “Hard Times in New York Town” which takes the melody, accompaniment and opening of “Down on Penny’s Farm” and … Continue reading
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Man on the Street. Bob Dylan’s reworking of the 19th century ballad.
By Tony Attwood Dylan originally called this plaintive two chord song, “Old Man (John Doe”), a title which refers us back to a 19th century song which may have been by Fred J. Mackley or Walter Phoenix – opinion seems … Continue reading
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Talkin Hava Negeilah blues: Bob Dylan being silly? Or making a point?
By Tony Attwood Way back in my younger days, I taught a university undergraduate course “Art and the Environment”. The essence of the year long course (which covered all the arts) was that although some art work was carefully planned … Continue reading
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Talkin Bear Mountain Picnic Massacre Blues: Dylan’s first song of note?
By Tony Attwood This review updated November 2019. https://youtu.be/hmtZ-i1jhTQ This is an absolutely straightforward talking blues. If lines such as Well, I don’t know, but I’ve been told The streets in heaven are lined with gold I ask you how … Continue reading
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Got My Mind Made Up: Dylan re-writes Petty, but what does it mean?
By Tony Attwood I often wonder about the songs Dylan performs just once on stage (as with this one on 9 June 1986) and then leaves. Caribbean Wind, Can you Please Crawl out your Window, Handy Dandy, Lay Down … Continue reading
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I will love Him: Bob Dylan announces the second coming is getting close
By Tony Attwood As I have tried to suggest through the reviews of Dylan’s Christian songs, he had a very particular vision of what it meant to be a Christian, and I am not sure that it is a view … Continue reading
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“Rock em dead”: Dylan and the gang having fun on stage, and well worth a listen.
By Tony Attwood Throughout 1984 and 1985 Dylan had worked on finding a new “voice” – a new way of writing music, another approach to move on to, as he had moved so many times before. During this period he … Continue reading
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“Sweetheart like you”: deep meanings or general observations inside Dylan’s song?
By Tony Attwood The more I have worked on this series of reviews of Dylan’s songs, the more I have reached the conclusion that while Dylan does often write about ideas and issues that concern him, and while he does … Continue reading
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