Category Archives: Uncategorized

“I’ll keep it with mine” – the meaning of the lyrics and the music.

By Tony Attwood I suspect there are many people in England (as I am) who know “I’ll keep it with mine” as a Fairport Convention song, and fortunately for anyone who has never heard this version it is on the … Continue reading →

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“Pledging My Time”: the meaning of the music and the lyrics

By Tony Attwood “Pledging My Time” is in many regards a fairly standard 8 bar Chicago blues which was recorded in a couple of sessions along with Absolutely Sweet Marie and Just like a woman. Indeed if we look at the chronology of … Continue reading →

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Sad Eyed Lady of the Lowlands: at long last I know why I never got it

By Tony Attwood Updated 7 August 2018. If you battle through this review (which I have not touched since I first wrote it in December 2015) you’ll see there is a lot in this song I just don’t like – … Continue reading →

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One more night: the Dylan song no one reviews

By Tony Attwood It is difficult to find anyone who has anything much to say about One More Night from Nashville Skyline, and in a sense one can see why.  It is a twinkly country song with a message that … Continue reading →

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I threw it all away: Bob Dylan, after the crash

By Tony Attwood If you have ventured into the Dylan songs in Chronological Order section of this site, you may have noticed two things. First, that it only goes from 1962 to 1969, and second that whereas in 1967 Dylan … Continue reading →

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Ballad in not very plain D; a case of record company demands outplaying art.

By Tony Attwood It is difficult to find very many people with that much good to say about Ballad in Plain D.  At around 8 minutes 30 seconds of pain, viscous blame and remorse all tangled up with each other … Continue reading →

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Motopsycho nightmare: the meaning of the song and the lyrics

By Tony Attwood Here’s a coincidence.  I’ve been focussing on Dylan’s writings in 1964, trying to fill up some of the gaps in the reviews on this site, and so came to Motorpsycho Nightmare (also written sometimes as Motorpsycho Nitemare) … Continue reading →

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To Ramona: an important song in understanding how Dylan composes, and the question of Joan Baez

By Tony Attwood To Romana has a very important place in our attempt to understand the way in which Bob Dylan writes some of his songs.  Where there are many commentators who like to see each metaphor, each image and … Continue reading →

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“I Shall be free number 10”: why is it on the album?

By Tony Attwood Another side of Bob Dylan is a curious album.  Apparently 14 songs were recorded in one single session, and that was the album.  The songs finally left out were “Denise” (sometimes known as “Denise Denise” – a … Continue reading →

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Farewell Angelina: the most perfect rendition ever and the hidden meaning of Dylan’s song

By Tony Attwood Using my rough and ready chronological approach to Dylan’s writing, 1964 ended with All I really want to do I’ll keep it with mine My back pages Gates of Eden It’s all right ma If you’ve gotta … Continue reading →

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Forever Young: the meaning of the lyrics – an alternative view

We’ve already taken one look at Forever Young, but as we’ve seen before, there’s much to be said and much to be gained in considering an alternative view.  There’s a link to the original review at the end of this … Continue reading →

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Queen Jane Approximately: the painful meaning of the music and the lyrics

By Tony Attwood Who is or was Queen Jane?  Joan Baez?  Lady Jane Grey?  Jane Seymour?   Someone else?  Anyone?  Or is it that Queen Jane is a variation on “Mary Jane”, one of the infinite number of slang words for marijuana? Or … Continue reading →

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“I pity the poor immigrant”: the meaning of the music and the lyrics

By Tony Attwood This is a song that has attracted few commentaries, but those who have ventured into it have wandered deep, dark and different roads as they have endeavoured to make sense of the whole piece. Speaking generally, there … Continue reading →

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Baby please don’t go: Bob Dylan’s take on an all time blues classic

“Baby, Please Don’t Go“ Baby please don’t go is often reported as the song that everyone who has sung the blues or played in a blues band has worked on, mostly while trying to get an authentic blues sound out … Continue reading →

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As I went out one morning: Dylan paints an abstract revolution

By Tony Attwood In my house, at the foot of the stairs, is a picture that I bought some 16 years ago.  The buying of the painting was quite an important personal moment in my life (I won’t bore you … Continue reading →

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If You Gotta Go, Go Now. Dylan being light-hearted and spooky

By Tony Attwood “If You Gotta Go, Go Now” is not by any means a great Dylan song, but it is of interest if the analyses of what was happening at the time are to be believed. The Beatles were … Continue reading →

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I don’t believe you (She acts like we never have met). Dylan prepares the ground for the songs of disdain

By Tony Attwood It is curious that the phrase “I don’t believe you” was the proper name for a Dylan song of 1964, when then became known popularly by another name (“She acts like we never have met”) while “I … Continue reading →

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Dylan as Celebrity

  Dylan as Celebrity By Dearbhla Egan We live in an age where the label of ‘celebrity’ is up for grabs by anyone with even the most tenuous and limited claim to fame.  The title of ‘Celebrity’ is pinned on … Continue reading →

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The times they are a changin’. The meanings behind Bob Dylan’s song

By Tony Attwood This article updated 14 June 2017. By pure chance as I settled down to gather my thoughts on The Times in preparation to write this review, I also listened to Girl of the North Country.  And I … Continue reading →

Posted in Times they are a changing, Uncategorized | 10 Comments

Who killed Davey Moore: an exploration of Dylan’s meanings

By Tony Attwood Updated 8 September 2017 Dylan was clearly taken by the death of Davey Moore in that he wrote and then performed this song three weeks after the death.  But was he moved by the events?  But then … Continue reading →

Posted in Bootleg Series volume 3, Uncategorized | 5 Comments