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- A History in Performance: Bringing It All Back Home, Side B. Afterthoughts and favourites.
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- No Nobel Prize for Music: creativity dries up…the descent towards the basement
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- Bob Dylan and US History 9
- Bob Dylan: the concert series: Macron, Georgia, 27 October 2018: top quality throughout
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Recent articles
- A History in Performance: Bringing It All Back Home, Side B. Afterthoughts and favourites.
- Bob Dylan: the concert series (number 49): Niagra Falls 15 November 1975
- The Philosphy of Modern Song from “Jesse James” to Po Boy
- No Nobel Prize for Music: creativity dries up…the descent towards the basement
- Desolation Row – the 5th stanza
- Bob Dylan and US History 9
- Bob Dylan: the concert series: Macron, Georgia, 27 October 2018: top quality throughout
- Bob Dylan: why would you do this?
- The Philosophy of Modern Song: Money Honey and the material world
Category Archives: Blood on the Tracks
You’re gonna make me lonesome when you go: the line most commentators miss.
By Tony Attwood This is another example of why the notion of looking at the songs in the order in which they were written, rather than how they appeared on an album, really pays dividends. Just look at the list … Continue reading
Posted in Blood on the Tracks
8 Comments
You’re a big girl now: the meaning behind Dylan’s song
By Tony Attwood Updated 22 October 2017, with addition (at the end) of a link to the original version. According to Dylan’s notebooks, this was the third of the Blood on the Tracks songs written. The order of writing … Continue reading
Posted in Biograph, Blood on the Tracks
15 Comments
Dylan’s “Tangled up in blue”. The meaning of the lyrics and music of the original version
This review (updated 10 August 2017) is of the original album version of “Tangled”. For the review of the completely revised “Real Live” version please see here 10 August 2017: link to live version video added at end of the … Continue reading
Posted in Blood on the Tracks
51 Comments
Bob Dylan’s “Idiot Wind”: the meaning of the music and the lyrics
By Tony Attwood There can be few opening chord sequences as distinctive as Dylan’s minor-4th, 5th, Tonic sequence which opens “Idiot Wind”. And there can be few opening lines to a song as distinctive as “Someone’s got it in for … Continue reading