Category Archives: Uncategorized

Bob Dylan: The Black Rider

  by Larry Fyffe Much like the writings of the GrecoRoman mythologists, and of the Abrahamics, Zoroastra says the Almighty is a good force that some individuals choose to ignore. Mani instead says black and dark forces struggle for dominance … Continue reading →

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Play Lady Play: A Simple Twist of Fate

Music selected by Aaron Galbraith, commentary by Tony Attwood Having written over half a dozen of these Play Lady Play articles I am getting to understand my own preferences for interpretations of Dylan’s music.  And what it comes down to … Continue reading →

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The Mississippi-series, part 8: Pretty Maids All In A Row

The Mississippi-series, part 8 The Mississippi-series, part 1; no polyrhythm here please The Mississippi-series, part 2: the line that never was. Mississippi- series, part 3: Belshazzar on the steppe The Mississippi-series, part 4: Bertolt, Bobby, Blind & Boy The Mississippi-series, part … Continue reading →

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1989: the menace emerges

By Tony Attwood In this series I am looking at the themes of the song lyrics written by Dylan each year and noting how they change, year by year. In the years leading up to 1989 I summarised the articles … Continue reading →

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NET 1992  – Heading for the Promised Land Part 1

By Mike Johnson (kiwipoet) Watch out, Lester Take it, Lou Join the monks The C.I.O Tell ’em all that Tiny Montgomery says hello Part 1 – The Promised Land in sight. Going from 1991 to 1992 is a bit like … Continue reading →

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Song to Bonny: another unfinished Dylan set of lyrics now set to music

The idea of the Bob Dylan Showcase is twofold.  One part of it allows anyone who has recorded a Dylan song and who is a reader of our site to submit the recording and we’ll put it up. The other … Continue reading →

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Bob Dylan And Frankenstein (Part II)

Bob Dylan And Frankenstein (Part II) This article continues from Bob Dylan and Frankenstein by Larry Fyffe Singer/songwriter Bob Dylan is rather consistent in the themes that he expresses though his often dark-humoured song lyrics – consistent yes, yet very … Continue reading →

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Play lady play: the strange ones, the eccentric, and the beautiful

Research by Aaron Galbraith, Text by Tony Attwood In this series of articles, Aaron casts his net across the range of lady signers who perform Dylan songs, and offers Tony a number of video links with the instruction, “review these”. … Continue reading →

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The Mississippi series VII        Dorsey Dixon

The Mississippi series The Mississippi-series, part 1; no polyrhythm here please The Mississippi-series, part 2: the line that never was. Mississippi 3: Belshazzar on the steppe The Mississippi-series, part 4 The Mississippi-series, part 5 The Mississippi-series, part 6 by Jochen … Continue reading →

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Dylan’s lost 1966 album: time to put it back together

by Aaron Galbraith In the Deluxe edition of the Cutting Edge box set, the book states that Dylan could have put out another album after Blonde On Blonde using the remaining tracks from the 1965-1966 sessions, if he had been … Continue reading →

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Why does Dylan like Tampa Red?

By Tony Attwood and Aaron Galbraith During 1978 Bob Dylan performed “She’s Love Crazy” – a Tampa Red song from 1941.   In all Dylan sang it 48 times – he obviously liked it.  He also dipped into “Love her with … Continue reading →

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Untold Dylan: The YouTube channel

Words by Tony Attwood Hard work and technical knowledge by Aaron Galbraith It is often suggested that I am still stuck in the 1950s, playing Dylan records on a trusty record player at 33 and a third revs per minute, … Continue reading →

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Bob Dylan And Faith (Part VIII): Nietzsche

Bob Dylan and Faith Bob Dylan On Faith (Part 1) Bob Dylan And Faith (Part II) Bob Dylan And Faith: William Blake (Part III) Bob Dylan And Faith (Part IV): Swedenborg Bob Dylan And Faith: Dead Men (Part V) Bob … Continue reading →

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NET 1991 part 3: King of the Unsteady

By Mike Johnson (Kiwipoet) By listening to the performances, we are starting to get a feel for that difficult and contentious year, 1991. Not quite the train wreck that the commentators claim, the year comes across to me more like … Continue reading →

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The Mississippi-series, part 6

  The Mississippi series The Mississippi-series, part 1; no polyrhythm here please The Mississippi-series, part 2: the line that never was. Mississippi 3: Belshazzar on the steppe The Mississippi-series, part 4 The Mississippi-series, part 5 by Jochen Markhorst Like earlier … Continue reading →

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I’ve Made Up My Mind to Give Myself to You. And Offenbach and Johnny Cash.

By Tony Attwood Lots of people have said a few words about this song, but sadly those few words are often wrong.  At least I think they are wrong.  So, I’ll try and explain and justify. One of the first … Continue reading →

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Bob Dylan And Faith (Part VII): Calliope

Bob Dylan and Faith Bob Dylan On Faith (Part 1) Bob Dylan And Faith (Part II) Bob Dylan And Faith: William Blake (Part III) Bob Dylan And Faith (Part IV): Swedenborg Bob Dylan And Faith: Dead Men (Part V) Bob … Continue reading →

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1987/8: possibly the greatest trilogy of compositions in Dylan’s career

By Tony Attwood This article is part of the Bob Dylan themes series which considers the subject matter of Bob’s songs in the order they were written.  There is an index to the series at The Themes index, year by … Continue reading →

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The Mississippi-series, part 5: Frost in the room, fire in the sky

The Mississippi series The Mississippi-series, part 1; no polyrhythm here please The Mississippi-series, part 2: the line that never was. Mississippi 3: Belshazzar on the steppe The Mississippi-series, part 4 by Jochen Markhorst Like earlier songs such as “Desolation Row” … Continue reading →

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Why does Dylan like Gordon Lightfoot?

by Aaron and Tony. As ever the research is by Aaron Galbraith and the commentary is from Tony Attwood (but you probably know that by now) Gordon Lightfoot  was very much part of the folk-rock world which influenced Bob Dylan … Continue reading →

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