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Recent articles
- Key West part 7: I knew right then and there I was hooked
- The Philosophy of Modern Song: Your Cheating Heart
- No Nobel Prize for Music: From “If you see her” to “Call Letter Blues”
- “The Greatest Dylan Song year by year”. Episode 2: 1962
- Theme Time Radio Hour number 7: Wedding
- Key West part 6: Glitter amongst the chicken feed
- The Philosophy of Modern Song: London Calling with a voice you never expected
- After “Lily” and “Tangled” what on earth could Bob compose next?
- Bob Dylan – the greatest song of 1961: five versions of “I was young when I left home”
Category Archives: Uncategorized
A Dylan cover a Day: She Belongs to Me
By Tony Attwood “She belongs to me” is a simple 12 bar blues with a complex message about control and independence and… well I am not sure. Is the subject of the song the child of a divorced couple or … Continue reading
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Never Ending Tour 2013 part 5 – As Good As New
‘I’ve paid my time and now I’m as good as new’ (The Levee’s Gonna Break) By Mike Johnson (Kiwipoet) This is the final post for 2013, a richly rewarding year to explore, and what I need to do here is … Continue reading
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Never Ending Tour: The Absolute Highlights. Desolation Row
By Tony Attwood The choices in this series of “Absolute Highlights” are mine, made without reference to anyone else, and selected by looking at the notes I have made while publishing each episode of the Never Ending Tour series … Continue reading
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Other people’s songs: From “Take me as I am” all the way to “Baker Street”
By Aaron Galbraith and Tony Attwood In this series (of which there is a full index at the end) Aaron selects a song that Dylan has recorded but which he did not write, and looks at the Dylan version and … Continue reading
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I Contain Multitudes (2020) part 6: All things lost on earth are treasured there
I contain multitudes 1: Two Irish countries at odds I contain multitudes 2: To the buried that repose around us I contain multitudes part 3: The thrill of rhyming something that’s never been rhymed before I contain Multitudes part … Continue reading
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Dark Eyes: Jemmy Joe’s new version and a total reassessment
Intro By Tony Attwood Recently Jemmy Joe wrote to me with a copy of his own recording of “Dark Eyes”, telling me this was to be the first of a once-a-month set of releases of Dylan covers next year, and … Continue reading
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The Never Ending Tour, the absolute highlights. Blind Willie McTell
by Tony Attwood This recording comes from 23 October 1997. Now of course not only are the performances that I choose for this series a very personal reflection, they are also reflections that change from day to day. So I … Continue reading
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NET 2013 Part 4: Softly softly golden oldies
An index to the 100+ previous episodes of this series can be found here. By Mike Johnson (Kiwipoet) The two Rome concerts I drew on in Part 1 for this year, in which Dylan sang ten songs for the … Continue reading
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Dylanesque: songs inspired by the music of Bob Dylan – Young, CSNY, and Coxon
Dylanesque (comparative more Dylanesque, superlative most Dylanesque) In the style of, or reminiscent of the music or lyrics of Bob Dylan (born 1941). ———- By Aaron Galbraith and Tony Attwood Aaron: For Part 3 of the Dylanesque series I decided … Continue reading
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I contain Multitudes 5: All the people on earth… all you
by Jochen Markhorst I contain multitudes 1: Two Irish countries at odds I contain multitudes 2: To the buried that repose around us I contain multitudes part 3: The thrill of rhyming something that’s never been rhymed before … Continue reading
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Never Ending Tour 2013 Part 3: A Date with The Faerie Queene?
A full index to this series is given here. By Mike Johnson (Kiwipoet) When introducing the song from Tempest, ‘Soon after Midnight’ in 2012, I concurred with Jochen Markhorst’s assessment that this is ‘a real murder ballad.’ Ian Maxton … Continue reading
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Dylan posters from the 1980s
Poster photograph supplied by Joe LaMay Commentary from Tony Attwood “Untold Dylan” has no editorial rule book as to what should or should not be published on the site. Basically, if we like it we publish it. So although no … Continue reading
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A Dylan Cover a Day: Seven Days
By Tony Attwood Coming to “Seven Days” in the Dylan Cover a Day series, I had high hopes, as it seemed to me a song that Dylan had never really taken to its limit (it only got 18 performances across … Continue reading
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Bob Dylan: the Lyrics and the music. The transmutation of Blind Willie McTell
Please note we have had a technical problem near the end of this article while adding the recordings. If you are unable to read the conclusion of the piece please press “refresh” and give the article maybe 20 seconds to … Continue reading
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Dylan’s 114 greatest opening lines: completing the list
By Tony Attwood Dylan’s Opening Lines: This is the fourth and final update on a theme we originally looked at eight years or so ago and which I have been playing with in the last couple of weeks. It incorporates … Continue reading
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Other people’s songs: Dylan’s take on “Let it be me”
by Aaron Galbraith and Tony Attwood Aaron: “Let It Be Me” is a popular song originally published in French in 1955 as “Je t’appartiens”. Tony: Literally that translates as “I belong to you” and the opening lines run… Comme … Continue reading
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NET 2013 part 2: The art of the Dramatic Monologue
An index to the whole series on the Never Ending Tour can be found here. By Mike Johnson (Kiwipoet) In the previous post I covered the songs that were played for the last time in 2013, and we spent some … Continue reading
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I Contain Multitudes (2020) part 4: Boogaloo dudes carry the news
I contain multitudes 1: Two Irish countries at odds I contain multitudes 2: To the buried that repose around us I contain multitudes part 3: The thrill of rhyming something that’s never been rhymed before by Jochen Markhorst IV … Continue reading
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The Never Ending Tour, the Absolute Highlights: Botony Bay
by Tony Attwood As Mike Johnson pointed out in his article NET 1993 Part 5 – A series of dreams “In November 1992 Dylan released an album of traditional songs and covers. These were recorded in his own garage with only … Continue reading
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Dylanesque 2 – There Goes Rhymin’ Dylan
By Aaron Galbraith and Tony Attwood Previously published: Part 1: Desolation Row Definition: Dylanesque (comparative more Dylanesque, superlative most Dylanesque. In the style of, or reminiscent of the music or lyrics of Bob Dylan (born 1941). Aaron: “Rhyming doesn’t have … Continue reading
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