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Recent articles
- The Dylan song that seems to tell us how he really feels
- Bob Dylan’s sense of humour
- Covers we missed which I utterly, utterly adore: The Airborne Toxic Event
- Is there a reason why certain Dylan songs are so rarely performed by Bob?
- Of all the early albums, the one I value the most
- “I’m Not There” one of Bob Dylan’s most troublesome disappearing songs
- Murder Most Foul part 11: Let me thrill your soul
- Bob Dylan for aliens, or how I’d explain to someone why he is the greatest.
- Chance, Fate and Reinvention in Modern Songwriting
Category Archives: Uncategorized
Where are Bob Dylan’s happy songs?
By Tony Attwood In the old days, when we had records that played at 78rpm, we used to say there were three types of song: songs about love, songs about lost love and songs written for some new dance … Continue reading
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Jan’s Take 12: Forever Young
by Jochen Markhorst In this series, we shine a spotlight on a thriving, fascinating, and polarizing fringe phenomenon within Dylanology: the semi-professional cover artist. And more specifically, on a veteran from the southern part of a small country on the … Continue reading
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Mother Of Muses Part 9: “It was never about whether it was in tune or out of tune” (final)
by Jochen Markhorst One of the many gems on the legendary compilation album Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (1972) is the Like A Rolling Stone rip-off “A Public Execution” by the Texan garage rock band Mouse … Continue reading
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Does plagiarism in Dylan songs matter? Who is allowed to copy from whom?
By Tony Attwood From time to time we have articles submitted whcih point out that certain lyrics or maybe a melody in a Dylan song are copied from somewhere else. I suspect most of us know that “Blowin in … Continue reading
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Bob Dylan’s Rough And Rowdy Ways – Side C
by Jochen Markhorst “On the bus he’s playing these cassette tapes of all this great old traditional stuff, because by then he knew I was really into it. He said, “This is a good song, you should learn this one.” … Continue reading
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Dylan’s “To fall in love with you”: recording and lyrics (and links to the past)
By Tony Attwood The last time I wrote about this song I wrote “To fall in love with you” is the third most accessed file on this site. The only articles that have been read more are “Hard Rain’s … Continue reading
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The Philosophy of Modern Song: Don’t let me be misunderstood
By Tony Attwood In my previous article I wrote about “Don’t let me be misunderstood” but restricted my commentary because of technical problems. Fingers crossed (which of course makes typing more difficult). Here is the Nina Simone version which I … Continue reading
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Dylan songs so rarely played: Dink’s Song
We have in the past looked at – or perhaps I should say listened to – songs Bob has written but then never played, or maybe played just once, in concert. There has also been a series on … Continue reading
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Jan’s Take 11: Lay, Lady, Lay
by Jochen Markhorst In this series, we shine a spotlight on a thriving, fascinating, and polarizing fringe phenomenon within Dylanology: the semi-professional cover artist. And more specifically, on a veteran from the southern part of a small country on the … Continue reading
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Mother Of Muses part 8 – Coda
by Jochen Markhorst VIII Boredom! Hail to you, Mother of Muses Odysseus is warmly welcomed by Alcinous, ruler of the island of Scheria and father of Nausicaa. He is treated to a banquet, and entertainment is provided by … Continue reading
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And finally we are getting ourselves back together
By Tony Attwood First off thank you to everyone who has written in and wished me well in our battle againsts the demons that have been causing us some problems. If you have an article for Untold that you have … Continue reading
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Dylan as an Artist: The MGM National Harbor Gate | Art
A close look at Dylan as an artist through the MGM National Harbor gate, its welded scrap, casino setting, and quiet demand for slower attention. Dylan as an Artist: The MGM National Harbor Gate Bob Dylan’s iron gate at … Continue reading
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The Philosophy of Modern Song: Don’t let me be misunderstood
Initial notice If you have been wondering where we have been, we have had technical issues galore. I have the site working again so I am putting up one of my own articles as I won’t get too upset if … Continue reading
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If you have found us missing…. my apologies
By Tony I am most sorry that for quite a few days of days Untold Dylan has been missing. We have had a technical issue, and I have been keen to get that fully resolved before coming back and being … Continue reading
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Stranger In A Strange Land
Stranger In A Strange Land By Larry Fyffe What a drag it gets to be writing for the chosen few you, daisy mae, who are not even of the masses (Bob Dylan: Tarantula) Singer/songwriter/musician Bob Dylan, a member of God’s … Continue reading
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Sincere apologies
Sincere apologies if you have been trying to get onto Untold Dylan in the last few days and not been able to. We have been having a technical issue and are working to resolve it. Hopefully we can now move … Continue reading
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Mother Of Muses part 7: Spend’st thou thy fury on some worthless song
Mother Of Muses part 7 by Jochen Markhorst VII Spend’st thou thy fury on some worthless song Take me to the river, release your charms Let me lay down a while in your sweet, loving arms Wake me, shake me, … Continue reading
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Jan’s Take 10: One Of Us Must Know (Sooner Or Later)
by Jochen Markhorst In this series, we shine a spotlight on a thriving, fascinating, and polarizing fringe phenomenon within Dylanology: the semi-professional cover artist. And more specifically, on a veteran from the southern part of a small country on the … Continue reading
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A moment’s pause
By Tony Attwood I am sorry to say we are having a spot of technical difficulty at the moment with the website, and so I can’t bring you the planned article at the moment. But those people who know … Continue reading
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Philosophy of Modern Song: Come Rain or Come Shine
By Tony Attwood Come Rain or Come Shine was popularised by Judy Garland, having been written by Harold Arden and Johnny Mercer. The key theory surrounding the song is that it examines “the power of music to shape and reflect … Continue reading
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