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Recent articles
- Desolation Row – the 5th stanza
- Bob Dylan and US History 9
- Bob Dylan: the concert series: Macron, Georgia, 27 October 2018: top quality throughout
- Bob Dylan: why would you do this?
- The Philosophy of Modern Song: Money Honey and the material world
- No Nobel Prize for Music: I Want You
- Dylan’s “Night Watch”
- Bob Dylan And US History VIII: Fragmentation, a hallmark of Post-Modernism:
- Bob Dylan: the concert series: 16 November 2023. New York
Category Archives: Uncategorized
My own version of you, part 7: “Although I did not mean myself when I said ‘I’…”
by Jochen Markhorst VII “Although I did not mean myself when I said ‘I’…” I study Sanskrit and Arabic to improve my mind I want to do things for the benefit of all mankind “What if my readers think … Continue reading
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Bob Dylan: the concert series: 1968
Do you have a view on Dylan, his lyrics or his music which you’d like to put across to our readers? If so, please do drop me a line. We are always open to new ideas and new … Continue reading
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No Nobel Prize for Music: Add one chord, keep it simple, sing of love
This series looks at Bob’s compositions from a musical point of view considering the songs in the order that they were written. Details of earlier articles in this series are given at the foot of this piece. By Tony … Continue reading
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My Own Version Of You part 6: They saw, yet they did not see
by Jochen Markhorst VI They saw, yet they did not see I get blood from a cactus – make gunpowder from ice I don’t gamble with cards and I don’t shoot no dice Can you look in my face … Continue reading
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Hearts On The Oak: Tracing Equine Imagery in Bob Dylan’s Lyrics
There is something about Bob Dylan songs, when you hear them, you feel like you are galloping through the American countryside on a horse named Nostalgia. Well, if you do feel that, you are not the first person to … Continue reading
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Bob Dylan, the concert series – Regensburg, 11 November 2015.
By Tony Attwood The idea of the concert series is very simple – a set of links which each contain a link to a video or recording of a single concert year by year so then when complete we … Continue reading
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No Nobel Prize for Music: the connundrum of the song that gets worse
My apologies for the technical problems on this article – I think I have resolved them by removing the links to examples from the Never Ending Tour series – so the article is now readable. I’ve now included a link … Continue reading
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My Own Version Of You (2020) part 5: The whole world is a cactus
by Jochen Markhorst V The whole world is a cactus I get blood from a cactus – make gunpowder from ice I don’t gamble with cards and I don’t shoot no dice Jacques Dutronc reaches immortality and eternal fame … Continue reading
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It’s All Over Now, Baby Blue, A History in Performance, Part 7: 2011 – 2025.
Previously in this series… Part 1: 1965. Part 2: 1975. Part 3: 1984 – 1989 Part 4: 1990 – 1995 Part 5: 1996 – 2001 Part 6: 2002 – 2010 Part 7: 2011 – 2025. All over now By Mike … Continue reading
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My Own Version Of You IV: Tough and tender, granite and satin
by Jochen Markhorst IV Tough and tender, granite and satin I’ll take Scarface Pacino and the Godfather Brando Mix ‘em up in a tank and get a robot commando If I do it upright and put the head on … Continue reading
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No Nobel Prize for Music: Bob reaches the Subterranean
A list of previous articles in this series appears at the end of the piece. By Tony Attwood In the last article (How Dylan turned the strophic form into something new) I took a look at “Love is just a … Continue reading
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The Concert Series: London. 28th June, 1981.
Each of these articles features either a recording of a complete concert or (where there is not one available in the UK, where I have my internet connection) the next best thing I can find. I’m hoping to be able … Continue reading
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My Own Version Of You part 3: Next time you come to the bridge, jump
by Jochen Markhorst III Next time you come to the bridge, jump It must be the winter of my discontent I wish you’d taken me with you wherever you went They talk all night – they talk all day … Continue reading
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Reflections in the mirror: suddenly Visions of Johanna conquers my mind
No Nobel Prize for Music: How Dylan turned the strophic form into something new The Dylan Concert Index: August 1971 By Tony Attwood Some 17 years ago, in June 2008 the Guardian (a liberal-facing English daily newspaper, which is … Continue reading
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No Nobel Prize for Music: How Dylan turned the strophic form into something new
Details of the earlier articles in this series appear at the end of this piece. By Tony Attwood In the last episode I looked at Farewell Angelina, which is a song in which Bob returned to the simplest form of … Continue reading
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The Dylan Concert Index: August 1971
There is an index to our current series and most recent articles on the home page. In this series the recordings are selected by Tony Attwood. But if you would like to nominate a particular recording for inclusion, please drop … Continue reading
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My Own Version Of You part 2: Take the head off of him and sew it onto this guy
by Jochen Markhorst Part 1: Keys t’unlock my mind II Take the head off of him and sew it onto this guy All through the summers and into January I’ve been visiting morgues and monasteries Looking for the necessary … Continue reading
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Bridging Generations: Why Bob Dylan Still Resonates in the Digital Age
Bob Dylan is a name synonymous with a lot of things; they range from poetic brilliance to protest and perpetual reinvention. He was relevant in a time when there wasn’t a modern gaming experience for slots enthusiasts, yet he remains … Continue reading
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It’s All Over Now, Baby Blue – A History in Performance, Part 6: 2002 – 2010
Part 1: 1965. Crying like a fire in the sun Part 2: 1975. The vagabond who’s rapping at your door Part 3: All your reindeer armies. Part 4: 1990 – 1995 Part 5: 1996 – 2001 You think will … Continue reading
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No Nobel Prize for Music 16. From “It’s all right” to “Angelina”. What happened?
There is an index to current and past series on the home page. “No Nobel Prize For Music” is a series of articles reflecting on the fact that when commentators write about Dylan’s compositions they tend to engage fulsomely with the … Continue reading
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