by Aaron Galbraith and Tony Attwood
Aaron: As I am going to be busy next week with a medical procedure, I thought I would put together a quick “Other people’s songs” for Tony to look at.
So this time I thought I would do a two-fer as these two songs are so iconic there is little point looking past the originals and Dylan’s versions.
Firstly then here is Simon and Garfunkel with The Boxer
Tony: There’s a line in this which has stayed with me ever since
Still a man hears what he wants to hearAnd disregards the rest
How true that is and rather relevant in terms of the second song in this article). And listening to the original again, for the first time in decades, I am reminded how incredibly powerful the harmonies are. And that is saying something when what one has here is a remarkable melody, beautiful accompaniment and extraordinarily powerful words. Just listen to it all the way through with the sudden reduction of the massive build up of sound, with the “I love you” line only just audible. It is extraordinary.
Aaron: Dylan’s version came from 1970s Self Portrait
Tony: And here, for me (and for many commentators I have read) the harmonies just don’t work – they are the other end of the scale of success from Simon and Garfunkel. I mean 10 out of 10 to Bob for trying, but given that what he is copying is an utter work of art, one of the most beautiful popular songs ever recorded, one wonders why. Was it to show that he can sing harmonies?
And that all-important “I love you” tucked away as the last line of “Lie-la-lie-lie-lie-lie-lie, lie-lie-lie-lie-lie” runs through.
Still a man hears what he wants to hearAnd disregards the rest
How true that is. But surely someone must have said to Bob, “Actually Bob, this doesn’t work….” Although maybe it took a really long time to record and get those harmonies right by which time Bob couldn’t bear to throw it away. Or maybe it is true, no one dares tell Bob what to do.
Indeed I wonder what Paul Simon thought. Presumably, he didn’t mind because the two appeared together in 38 shows in 1988.
Aaron: Next we have Joni Mitchell with Big Yellow Taxi
Tony: Another of my much loved artists, and I always enjoyed this song which gave such great opportunities to show off her amazing vocal range reaching every part of its range with perfection. The repeat of “bees” is just beyond belief.
So yes I do love the music of Joni Mitchell, and indeed appreciate many of her political / religious quotes, such as “Lord, there’s danger in this land, you get witch hunts and wars when church and state hold hands.” (Tax free).
Aaron: Bob’s version appeared on his 1973 studio album, Dylan
Tony: Oh. I hate the twinky organ. And virtually all of the recording, because the accompaniment has nothing to do with the lyrics although at the same time this version includes elements from the original. The “Do bop” female chorus is taken from the original as is much of the rhythm. But oh….. this is horrible. Horrible horrible horrible.
The organ part is the key element that puts me off, but I am not at all sure about Bob’s singing here. (Surely there must be a deserted part of the world where the organist can be put). Just listen to where Bob sings “DDT” and the organ part that follows and ask, “what on earth has this organ part got to do with the lyrics?”
And maybe it was this recording that made Joni Mitchell say of Dylan, “Bob is not authentic at all. He’s a plagiarist, and his name and voice are fake.” Although most commentators I seem to recall, said the spat started in the Rolling Thunder years.
Anyway I need something strong to distract my mind after that. So here it is. Sorry Aaron, but I just couldn’t leave this article with Bob’s destruction of a song I really do like. Get well soon, mate.
Previously in this series…
- Other people’s songs. How Dylan covers the work of other composers
- Other People’s songs: Bob and others perform “Froggie went a courtin”
- Other people’s songs: They killed him
- Other people’s songs: Frankie & Albert
- Other people’s songs: Tomorrow Night where the music is always everything
- Other people’s songs: from Stack a Lee to Stagger Lee and Hugh Laurie
- Other people’s songs: Love Henry
- Other people’s songs: Rank Stranger To Me
- Other people’s songs: Man of Constant Sorrow
- Other people’s songs: Satisfied Mind
- Other people’s songs: See that my grave is kept clean
- Other people’s songs: Precious moments and some extras
- Other people’s songs: You go to my head
- Other people’s songs: What’ll I do?
- Other people’s songs: Copper Kettle
- Other people’s songs: Belle Isle
- Other people’s songs: Fixing to Die
- Other people’s songs: When did you leave heaven?
- Other people’s songs: Sally Sue Brown
- Other people’s songs: Ninety miles an hour down a dead end street
- Other people’s songs: Step it up and Go
- Other people’s songs: Canadee-I-O
- Other people’s songs: Arthur McBride
- Other people’s songs: Little Sadie
- Other people’s songs: Blue Moon, and North London Forever
- Other people’s songs: Hard times come again no more
- Other people’s songs: You’re no good
- Other people’s songs: Lone Pilgrim (and more Crooked Still)
- Other people’s songs: Blood in my eyes
- Other people’s songs: I forgot more than you’ll ever know
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Highway 51
- Other people’s songs: Jim Jones
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Jim Jones
- Other people’s songs: Highway 51 Blues
- Other people’s songs: Freight Train Blues
- Other People’s Songs: The Little Drummer Boy
- Other People’s Songs: Must be Santa
- Other People’s songs: The Christmas Song
- Other People’s songs: Corina Corina
- Other People’s Songs: Mr Bojangles
- Other People’s Songs: It hurts me too
- Other people’s songs: Take a message to Mary
- Other people’s songs: House of the Rising Sun
- Other people’s songs: “Days of 49”
- Other people’s songs: In my time of dying
- Other people’s songs: Pretty Peggy O
- Other people’s songs: Baby Let me Follow You Down
- Other people’s songs: Gospel Plow
- Other People’s Songs: Melancholy Mood
From:
Of every glove that laid him down ~ Simon & Garfunkle
To:
Of every blow that laid him low ~ Bob Dylan
(Universalizes the theme)