The Philosophy of Modern Song: Save the last dance for me

By Tony Attwood

An interesting choice from Bob as I can remember as a child buying this track – and listening to it now, I am sure why.   Certainly, at the age I bought it I don’t think I fully understood the implication of the “last dance” although as a child learning the violin I was interested in the use of the violin in the instrumental break.

But it was a number 1 hit, and certainly Ben E King’s voice is superb – I wonder if I appreciated that.  And I certainly wouldn’t have known about  Doc Pomus and Mort Shuman as composers, but it has all the smoothness of one of their compositions.

But despite all its obvious attributes, the story is that the song was meant to be the B side of the Drifters single.  And here’s something I didn’t know until looking into the song today; it was released after Ben E King left the Drifters.  Now there’s a thing!

The song was co-written by Doc Pomus who it is reported, suffered from polio, and was dedicated to his wife, with whom he could manage but one dane because of his affliction.  But I have no idea if that is so – but it is curiously, not an easy song to dance to in any formalised way since the beat does not lend itself to the regularity that dancing to popular music requires, so that tale may not be true.

It is also interesting how limited the melody is through the first 12 bars or so up to the lyrics “but don’t forget”.   It seems to me that this is one of those songs where most people have a remembrance of the instrumental break as much as the chant “You can dance”.   Yet somehow it works perfectly and everyone who was around at the time still can remember it!

Previously in this series

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