Category Archives: Uncategorized

Just like Tom Thumb’s Blues: the sampler version

By Tony Attwood and Aaron Galbraith We recently presented, for the first time, an article on “The Sampler Sessions” – musicians who have taken elements of Dylan songs and then represented them in new forms. We’re not sure too many … Continue reading →

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Bob Dylan and Prince Phillip (and Dignity)

by Larry Fyffe In his article entitled “Who Wrote Dylan”, Ross Altman asserts that Bob Dylan makes a deal with Prince Charles to write lyrics for his songs. And furthermore that Charles writes Dylan’s early songs. However, it’s rather surprising … Continue reading →

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Why does Dylan like “Dark as a Dungeon”

Editorial note: One of the wonderful things about Untold Dylan is that readers are so active in joining in with suggestions.  So when Russell Pottinger suggested another entry for our “Why Does Dylan Like” series, we jumped at the idea. … Continue reading →

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T.V. Talkin’ Song: sweet dreams and a rare mention of TV.

by Jochen Markhorst Dave Stewart’s autobiography Sweet Dreams Are Made Of This (2016) is a double-minded affair, and in line with the image that even a less knowledgeable music connoisseur has of the man: colourful, unruly, creative and well, yes, … Continue reading →

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Bonnie Why’d You Cut My Hair. Another Dylan song we missed!

Commentary by Tony Attwood, song found by Aaron Galbraith With our attempts to find ever more obscure Dylan compositions, and indeed get the number of Dylan compositions and co-compositions up to 600 (for no reason other than the fact that … Continue reading →

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Bob Dylan And Medea

by Larry Fyffe Before Odysseus makes his sea voyage, Jason makes his. Jason’s uncle usurps the Greek throne that belongs to Jason’s father. To protect him from the usurper, Jason is hidden away by his mother. Because the usurper doesn’t … Continue reading →

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NET 1988: Desperate stratagems, Part 1: Heroes and Villains

By Mike Johnson (Kiwipoet) ‘They say sing while you slave and I just get bored’ (Maggie’s Farm) When Bob Dylan appeared at Concord Pavilion on June 7 1988 for the first concert of a tour that was to last for … Continue reading →

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Did Dylan really write the same song three times? “Durango”, “Steel” and “Don’t ever”

By Tony Attwood “You can fool some of the people some of the time” seems a good place to start with unravelling the links between “Steel and Feathers”, “Don’t ever take yourself away”, and “Romance in Durango”. All are listed … Continue reading →

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Bob Dylan And The Symbolism Of The Mirror

by Larry Fyffe In ancient mythology, Narcissus observes his own reflection in the water, and falls in love with it; he’s unable to see, to put it in the secular terms of modern psychology, beyond the physical plain of his … Continue reading →

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Lay Lady Lay: the sampler sessions

By Aaron Galbraith and Tony Attwood Here’s the first in a potential series of articles looking at songs that use samples of Dylan tracks…first of all with a look at the use of Lay Lady Lay If you were to … Continue reading →

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Bob Dylan Live Performances That Never Happened (But could have done) Vol. 1

By mr tambourine As this is the first volume of this new series I just started, I will give you a small amount of detail as context to explain what this really is. This is not a series that will … Continue reading →

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“Desolation Row”: the Ophelia-stanza.

By Jochen Markhorst On March 8, Tony posted here on Untold “Desolation Row – The Origins of the Title”. That was Chapter 1 of my attempt to write an article about “Desolation Row”, which got a bit out of control. … Continue reading →

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Talking Hugh Brown: We’ve got another Dylan original composition

By Tony Attwood Well, you don’t get a Dylan song that for one reason or another we’ve never listed on this site, for months and months, and then suddenly a couple turn up within a week or two of each … Continue reading →

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Bob Dylan And The Symbol Of The Flower (Part III): Hart Crane

By Larry Fyffe Romantic Transcendentalist poets intuit the presence of the mysterious driving force behind the Cosmos pervading all Nature; the flower reaching upwards towards the sky with its roots in the ground serving as a symbol for that vitalistic … Continue reading →

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Clothes Line Saga and the perfect nod to Bob; nod nod nod

by Jochen Markhorst The American John Corigliano is quite a Grammy Award collector. The counter now stands at six, and in between the classical composer also scores an Oscar (for the music to The Red Violin, 1999) and the Pulitzer … Continue reading →

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The subject matter of Dylan’s songs 1971 to 1973

by Tony Attwood This is part of an ongoing series which attempts to assign a short simple theme or meaning to each Dylan composition, not (I hasten to add) to simplify Dylan’s work but to try and give me (and … Continue reading →

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Bob Dylan And The Lusty Buck

by Larry Fyffe In Greek mythology, the aforementioned Galatea is a sea nymph adored by the Cyclops whose one eye is burned out by Odysseus. After the giant reforms, and stops eating people, the nymph softens her attitude towards him, … Continue reading →

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Bob Dylan’s Set lists for Japan: the Untold Proposal

by mr tambourine Before I start writing, I just want to say, that after researching Bob’s current shows as deep as I can, and his entire live career and some of his studio albums, this would be my wishlist of … Continue reading →

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Born in time; reborn, recreated, reinvigorated, in 2002.

by Jochen Markhorst In 1983, prior to an ever-charged state visit to Israel, Chancellor Helmut Kohl borrows the expression Die Gnade der späten Geburt (“the mercy, or blessing, of late birth”), trying to make the point that his generation is … Continue reading →

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Bob Dylan And The Symbol Of The Flower (Part II): Edith Sitwell

by Larry Fyffe British beat poet Edith Sitweĺl, influenced by the French Symbolists (ie, Arthur Rimbaud), and associated with the first-half-of-the-20th-century Bloomsbury Group, takes on the persona of mythological Persephone, the Goddess of Grain and Queen of the Underworld. Sitwell’s … Continue reading →

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