Category Archives: Uncategorized

The Wicked Messenger. Bob Dylan; Kafka known and unknown.

by Jochen Markhorst It was very early in the morning, the streets clean and deserted, I was on my way to the station. As I checked my watch against the tower clock I realized it was much later than I … Continue reading →

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Bob Dylan And Giacomo Leopardi (Part II)

By Larry Fyffe To what extent Bob Dylan has read the works of any particular poet or writer of literature we may not know, but we do know that his song lyrics reveal that he’s been swimming in the Jungian … Continue reading →

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Quinn The Eskimo (The Mighty Quinn); one semitone is all it takes.

by Jochen Markhorst In a New York hotel room, as some guy named Joe from Minneapolis fables on songfacts.com, a Grateful Dead party gets out of hand. Dylan is there too and he is especially amused at the complaints of … Continue reading →

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Bob Dylan and Warren Zevon. Heartfelt and Primeval

by Aaron Galbraith. In 2009 the Huffington Post ran one of Dylan’s greatest latter-day interviews, revealing his own favorite songwriters and thoughts on his own cult status. It is worth a moment of your time to take a read. Here … Continue reading →

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Bob Dylan And Giacomo Leopardi

By Larry Fyffe You darlings of the gods! Happy enough If it be given you to draw one breath Without some grief; and blest If you are cured of every grief by death (Giacomo Leopardi: The Calm After The Storm … Continue reading →

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Why does Bob Dylan like “My Blue Eyed Jane”

By Aaron Galbraith and Tony Attwood We have of late been dealing with several tribute albums Bob Dylan has performed on – and here we have another.  Indeed this is an album that Bob Dylan was centrally involved in, as … Continue reading →

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Bob Dylan And Delmore Schwartz: The Wind And The Rain

by Larry Fyffe Much of the time the song lyrics of Bob Dylan reflect the influence of the modernist poet, and short story writer, Delmore Schwartz. That is, caught as one is in the interconnected processes of a whirling universe, … Continue reading →

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Bob Dylan’s: Seven Days: choose a number, any number, make it mean something

by Jochen Markhorst https://youtu.be/CmoLawkkPso “People do wonder about what religion means to you,” journalist Ben Fong-Torres boldly states, in an interview for Rolling Stone (February 14, 1974). Dylan often gets the question and usually, up to his much-discussed conversion in … Continue reading →

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Master Harpist Postscript: Tangled up in Harmonicas: Part 1

Mike Johnson (Kiwipoet) [Advice to the reader. Please check out Tony Atwood’s probing account of Tangled Up in Blue here. My comments are incidental, and mostly directed to evolving performances of the song. Also note that this is a postscript … Continue reading →

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Petrarch Or Shakespeare: Which Side Are You On?

By Larry Fyffe The ‘Untold Dylan’ offices have been inundated with letters. Writers thereof are shocked and appalled at the assertion that Bob Dylan imitates the form of the English sonnet when structuring some song lyrics; most of these letters, … Continue reading →

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Bob Dylan and… Elvis Presley – Like Busting Out Of Jail

by Aaron Galbraith “When I first heard Elvis Presley’s voice I just knew that I wasn’t going to work for anybody and nobody was going to be my boss. Hearing him for the first time was like busting out of … Continue reading →

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Changing of the Gods

by Larry Fyffe As opposed to the standard Christian interpretation often given to it, the song analyzed below can be viewed as a critique of social norms established by today’s religious and secular authorities. An unusual source that singer/songwriter Bob … Continue reading →

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The Freewheelin’ Bob Dylan: the story of the artwork

by Patrick Roefflaer This is the fourth article in our series on the artwork on Bob Dylan’s albums.  An index to the earlier articles can be found below, and in the index above, “Album artwork” Released:                     May 27, 1963 … Continue reading →

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Why does Dylan like “Boogie Woogie Country Girl”

By Aaron Galbraith and Tony Attwood In the last article in this series we looked at “Red Cadillac and a Black Moustache” – a song neither of us knew before we started the research. Now here is another rather obscure … Continue reading →

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Bob Dylan And Francisco Petrarch (Part II)

By Larry Fyffe It’s all about the unrequited love for Laura: It was on that day when the sun’s rays Was darkened in pity for its Maker That I was captured, and did not defend myself Because your lovely eyes … Continue reading →

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Wild Wolf: lyrics bemusing, darkness, nothing, darkness

by Jochen Markhorst In the beginning of his Nobel Prize Speech, after qualifying Buddy Holly and Leadbelly’s “Cottonfields” as his personal sunrise (“the dawning of it all”), Dylan refers to a list of songs that taught him the “lingo”, the … Continue reading →

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Dylan re-imagined: Subterraenean, I believe in you, Tweedle Dee

Performances selected by Paul Hobson, commentary by Tony Attwood This series takes live performances of Bob Dylan, in which he has re-worked three of his songs to give them a new direction or new meaning, or simply a new sound … Continue reading →

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Bob Dylan And Plutarch

By Larry Fyffe Bob Dylan modernizes and mingles the style and content  of the writings of Plutarch: I’ll strip you of life, strip you of breath Ship you down to the house of death One day you will ask for … Continue reading →

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Dylan’s 4th time around (or maybe back and forth)

by Jochen Markhorst The Fleet Foxes, a most charming band from Seattle, has been playing in the Premier League since 2008. Pillars are craftsmanship, catchy melodies and especially music historical awareness: the comparisons with the Beach Boys, Van Morrisson and … Continue reading →

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Why does Dylan like – Red Cadillac and a black moustache

By Aaron Galbraith and Tony Attwood “Red Cadillac and a black moustache” was recorded by Bob Dylan for the “Good Rockin’ Tonight” Sun Records tribute album. Of all the Sun Records songs he picks one neither of us hade ever … Continue reading →

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