By Larry Fyffe
- Bob Dylan: Cooking Up More Mythologies (part I)
- Bob Dylan: Cooking Up More Mythologies (Part II)
- Bob Dylan: Cooking Up More Mythologies (Part III)
- Bob Dylan: Cooking Up More Mythologies (Part IV)
- Bob Dylan: Cooking Up More Mythologies (Part V)
- Bob Dylan: Cooking Up More Mythologies (Part VI)
- Bob Dylan: Cooking Up More Mythologies (Part VII)
- Bob Dylan: Cooking up more mythologies (Part VIII)
- Bob Dylan: Cooking Up More Mythologies (Part IX)
- Bob Dylan: Cooking Up More Mythologies (Part X)
- Bob Dylan: Cooking Up More Mythologies (Part XI)
- Bob Dylan: Cooking Up More Mythologies (Part XII)
As the gnostic-like mythology of Lilith develops, the screech owl night-demon, after fleeing to Babylon from the Garden of Eden, teams up with the archangel of death and destruction.
‘Samael’, Lily calls him; she and he with Satan engineer the fall of the earhly paradise, and they don’t stop there.
Of course, such goings-on all part of the Almighty’s plan
– from the Old Testament:
And God sent an angel unto Jerusalem to destroy it And as he was destroying, the Lord beheld And he repented him of the evil And said to the angel that destroyed "It is enough, stay now thine hand" ... And David lifted up his eyes And he saw the angel of the Lord stand between the earth and the heaven Having a drawn sword in his hand stretched out over Jerusalem (I Chronicles 21: 15,16)
In the New Testament, the story continues:
And I looked, and behold a pale horse And his name that sat on him was Death And Hell followed with him And the power was given unto them Over the fourth part of the earth To kill with sword, and with death And with the beasts of the earth (Revelation 6: 8)
The bible-rooted mythology echoes in the song lyrics below:
I can see the unknown rider I can see the pale white horse In God's truth, tell me what you want And you'll have it of course Just step into the arena (Bob Dylan: Angelina)
Some of the extra-biblical stories smack of satire as do the following song lyrics that can be so construed in reference to the dogma of ‘original sin’ (in another song, said it might that the Jack of Hearts runs off with Lily after he’s been saved by Rosemary, a figurative lamb who sacrifices herself on the gallows):
I was blinded by the devil Born already ruined Stone-cold dead As I stepped out of the womb ... I've been saved By the blood of the lamb Saved saved And I'm so glad (Bob Dylan: Saved)
In the following song, Jack Robert Frost makes his stand midway between heaven and earth:
Key West is the place to be If you're looking for immortality Key West is paradise divine Key West is fine and fair If you've lost your mind, you'll find it there Key West is on the horizon line
On the dark material earth, things ain’t so good:
Had a man in Black Mountain, the sweetest man in town He met a city girl, and throwed me down (Besse Smith: Black Mountain Blues ~ J. Johnson)
As the song lyrics beneath tell you:
I was up on Black Mountain The day Detroit fell They killed'em all off And they sent them to Hell (Bob Dylan: Early Roman Kings)
* and he throwed me down