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Recent articles
- The Philosophy of Modern Song: My Prayer
- No Nobel Prize for Music: the staggeringly wonderful “Abandoned Love”
- Dylan Song of the Year 1966: One of Us Must Know (Sooner or Later)
- Key West part 10: What a long strange trip it’s been
- Theme Time Radio Hour: why are all the car songs 12 bar blues?
- “Philosophy of Modern Song”: Blue Suede Shoes. This is MY style!
- No Nobel Prize for Music: I guess its just “Up to me”
- Bob Dylan’s song of the year 1965: one of the greatest masterpieces of all time
- Theme Time Radio Hour part 10: Flowers (and a thorn)
Author Archives: TonyAttwood
Caribbean Wind part 3 Verses 5 and 6
by Paul Robert Thomas Caribbean Wind part 1 – verses 1 and 2 Caribbean Wind: part 2. Verses 3 and 4 Verse 5 Line 1; Atlantic City by the cold gray sea. Dylan qualifies the location as by the cold … Continue reading
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Sheep in Wolves’ Clothing album cover – and reviews of other album artwork
By Tony Attwood Following our completion of the invented “Sheep in Wolves’ Clothing” album which could have been issued instead of Down in the Groove, we invited anyone interested to come up with a new cover for the album invented … Continue reading
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Bob Dylan And The Cowboy Jesus
by Larry Fyffe A theme expressed in the song lyrics of Bob Dylan, given no one can escape from the certainty of death, at least an individual, or even a group of people, as in the movie ‘The Magnificient Seven’, … Continue reading
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Do Right To Me Baby (Do Unto Others) (Just pick up the cross and walk)
by Jochen Markhorst Waylaid, the past participle of to waylay, is a beautiful, archaic and striking word in the otherwise rather poor lyrics to “Do Right To Me Baby”. In this century the use of it appears more often than … Continue reading
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Another Bob Dylan song: “Listen Robert Moses”
By Aaron Gailbraith and Tony Attwood Last year, we were fascinated when a lyric sheet for “Listen, Robert Moses,” credited to Bob Dylan, popped up on the internet. And yes it seems “Listen Robert Moses” is another Bob Dylan song … Continue reading
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Caribbean Wind: part 2. Verses 3/4
Caribbean Wind part 1 – verses 1 and 2 by Paul Robert Thomas Verse 3 Line 1; Sea breeze blowin’, there’s a hell-hound loose. If the Caribbean Wind symbolizes the breath of God then the sea breeze of this verse … Continue reading
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Sheep in wolves’ clothing: the CD Bonus Tracks
By Aaron Galbraith For the CD edition of our Sheep In Wolves Clothing album we thought we should entice potential buyers with the addition of a couple of bonus tracks. First up is this take of Fred Rose’s “Thank God” … Continue reading
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Heron: the Dylan cover album, and your chance to join a merry gang.
by Aaron Galbraith and Tony Attwood If you are a regular reader of Untold Dylan you will appreciate that not only is the site written by a variety of people, but it is written by a variety of people living … Continue reading
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Caribbean Wind part 1 – verses 1 and 2
by Paul Robert Thomas Caribbean Wind “People can learn everything about me through my songs, if they know where to look. They can just juxtapose them with certain other songs and draw a clear picture”. (Bob Dylan(1)) Introduction “The powerful … Continue reading
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Not Dark Yet VI: the music and the covers
Not Dark Yet VI – the music and the covers, part 1 by Jochen Markhorst and Tony Attwood Despite the despondent lyrics “Not Dark Yet” is not a jeremiad, thanks to the music – and just as much to the … Continue reading
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William Shakespeare And The Great Chain Of Being
By Larry Fyffe Bob Dylan in a number of his song considers that he’s trapped in a physical world that’s an imperfect reflection of an external ideal One – as the philosopher Plato claimed it to be. That is, … Continue reading
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Not Dark Yet 5: The greatest recordings
by Jochen Markhorst When he is told in early 2017 that he has only a few months left to live at most, Jimmy LaFave does not consider that an excuse to shy away from action. He continues to perform, he … Continue reading
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Song to Bonny: another Dylan lyric that needs music adding
By Aaron Galbraith Here is another Dylan lyric with no music, plus an invite to you to create the song and have it published here. I’m going to go out on a limb and say it was probably set to … Continue reading
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The Dylan nobody knows: John Brown & Tomorrow as never before
By Tony Attwood and Aaron Galbraith In the initial article for Dope Fiend a Robber we said…. “If you have never tried to come up with a completely new arrangement of a Dylan song, perhaps we might be permitted to … Continue reading
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Bob Dylan And Post-Post Modernism
by Larry Fyffe There are those who examine the inherently, if not deliberately created, figurative language of artists. Some look at art to uncover it’s meaning by referencing a standard outside the work, a moral standard that’s accepted by … Continue reading
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Not Dark Yet IV A languid lizard .
by Jochen Markhorst I was born here and I’ll die here against my will I know it looks like I’m moving, but I’m standing still Every nerve in my body is so vacant and numb I can’t even remember … Continue reading
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Is Bob Dylan a plagiarist? A consideration of the evidence.
By Tony Attwood Tales of Bob Dylan having taken the music or lyrics for his songs from earlier published works, go back at least to Blowing in the Wind (allegedly taken from No More Auction Block), and have continued ever … Continue reading
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Bob’s lost album, the final track
By Aaron Galbraith and Tony Attwood Just recently we’ve been engaged in a project listening back to some of the outtakes from the 1986 and 1987 sessions that produced the majority of Bob Dylan’s “Down In The Groove” album, as … Continue reading
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T.Love, top Polish rock band paying tributes to Bob Dylan
By Filip Lobodzinski Dear Untolders, today you’re going to learn some Polish. I know, Christmas is not every day. For here I’ll introduce you to one of the top Polish rock bands called T.Love. They’ve been on hiatus since October … Continue reading
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Bob says to Tony: The hopes and fears and dreams of the discontented
By Tony Attwood This article continues from part 1 of this piece, Bob says to Tony, “Make me an album” and part 2 in which we get to Yonder Comes Sin. These fairy tales express the totally fanciful idea that … Continue reading
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