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- Murder Most Foul part 14: A cool breeze from a camel’s ass
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- While thinking of Bob, a frightening thought about Bill Haley
- Does Bob still care?
- Murder Most Foul part 13: The Fender Bender Poet
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Recent articles
- Murder Most Foul part 14: A cool breeze from a camel’s ass
- Apologies for the down time
- Bob Dylan: From a song a day, to no new songs, to “kick your shoes off”
- Dylan improvising for fun is not so far from Dylan writing a serious song
- While thinking of Bob, a frightening thought about Bill Haley
- Does Bob still care?
- Murder Most Foul part 13: The Fender Bender Poet
- Will Dylan be remembered as a composer in the future?
- Book review – Dylan-Picasso: Memory, fate and coincidence
Category Archives: Uncategorized
Bob Dylan And The Golden Loom (Part II): Edward Taylor
Bob Dylan And The Golden Loom (Part I) appears here. by Larry Fyffe Black the Puritan view of mankind is, but as a poet, Edward Taylor is creative. In his poems, he cannot resist Baroque conceits, nor the flowery images … Continue reading
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Why Bob Dylan is a must-see live performer
by mr tambourine When it comes to Bob Dylan, there always has to be some kind of hype involved – and for good reason. There’s probably a lot of people who will never understand – but when you do understand, … Continue reading
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Don’t Ya Tell Henry: Dylan’s exuberant tattle
by Jochen Markhorst “Folk music,” says Dylan in the chaotic, unserious New York Post interview with Nora Ephron and Susan Edmiston in the late summer of 1965, “the only music where it isn’t simple. It’s weird, man, full of legend, … Continue reading
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Dylan songs of 1978: the meanings in Bob’s troubled year.
By Tony Attwood This article continues the reviews of the meanings of Bob Dylan’s songs of the 1970s. Previous articles in this series have been… The meanings behind Bob Dylan’s 15 compositions of 1970 The subject matter of Bob Dylan’s … Continue reading
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The Dylan Nobody Knows: The Clancy Brothers / Restless Farewell
By Aaron Galbraith and Tony Attwood In the video below Dylan explores for a moment his admiration for traditional Irish music, and this is followed by Liam Clancy telling a story of meeting Bob and going to the White Horse … Continue reading
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Bob Dylan And Pygmalion (Part II)
By Larry Fyffe Bob Dylan and Pygamalion part 1 is published here. In the song lyrics following be a ‘gnostic-like’ vision, a twisted version of a song from ‘My Fair Lady,’ a musical that harks back to the ancient Greek … Continue reading
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Bob Dylan Showcase: Dylan PL – Arlekin and Blind Willie
By Tony Attwood One of the great things about running a blog like this is that one never quite knows what happens next. Of course you might say that since I am the publisher I damn well ought to know … Continue reading
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Why does Dylan like Leon Redbone?
By Tony Attwood Leon Redbone, the famously mysterious musician whose Ragtime way of strumming a guitar and singing, and who very much numbered Bob Dylan among his fans, has passed away at the age 69. He was notorious as a … Continue reading
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Santa-Fe (1967); a monumental, atmospheric lecture
by Jochen Markhorst Gallup in New Mexico is a small town, about twenty thousand inhabitants, with a remarkably high crime rate (five times the national average) and for a large part of the twentieth century popular with filmmakers. Films such … Continue reading
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Your chance to write the music to Dylan’s unfinished song
By Aaron Galbraith and Tony Attwood If you have never tried to come up with a completely new arrangement of a Dylan song, perhaps we might be permitted to reveal that it can be incredibly hard, not least because it … Continue reading
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Dylan nobody knows: “Remember Me” and “Black Cross”
By Aaron Galbraith Here are two songs I know only a little about except Dylan’s versions are spellbinding, and they are both takes from 1961…possibly my two favourites from all those early party Tapes. First, “Remember Me (When The Candle … Continue reading
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Untold Dylan Showcase: the publisher’s turn
By Tony Attwood Over the years, we have put on this site one or two recordings created by readers who have been performing Dylan songs. Often these have been songs that Dylan himself hasn’t performed, or indeed their own arrangement … Continue reading
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Bob Dylan And Adonis
by Larry Fyffe As noted before, over time ancient Greek/Roman, and other mythologies, get all mixed together. For example, Adonis is considered to be a half-god/half-mortal, akin to Dionysus. Zeus allows Adonis to return from the Underworld in springtime. … Continue reading
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Positively 4th Street; “Black Dally Rue” and poisonous green
by Jochen Markhorst Johnston: What’s the name of this Bobby? Dylan: Ah… the name of this is ah…the name of this is… Black Dallyroo! Hehehe. Johnston: (laughing) “Black Dally Rue!” Dylan: Dallyroo is D – A – double L – … Continue reading
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Dylan’s lost album, track 4: “Important Words”
By Aaron Galbraith and Tony Attwood Just recently we’ve been engaged in a project listening back to some of the outtakes from the 1986 and 1987 sessions that produced the majority of Bob Dylan’s “Down In The Groove” album, as … Continue reading
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The Dylan nobody knows: Bob’s LGBT song, and Christmas recitation
By Tony Attwood and Aaron Galbraith We launched “The Dylan Nobody Knows” series with the article on Wynton Marsalis and Jacek Kaczmarski – details of this and other articles in the series are at the foot of this piece. So … Continue reading
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The subject matter of Bob Dylan’s songs 1976/7
By Tony Attwood This article continues the reviews of the meanings of Bob Dylan’s songs of the 1970s. Previous articles in this series have been… The meanings behind Bob Dylan’s 15 compositions of 1970 The subject matter of Bob Dylan’s … Continue reading
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Untold Dylan Showcase “Make you feel my love”: Denise Konkal
By Tony Attwood Over the years we have put on this site one or two recordings created by readers who have been performing Dylan songs. Often these have been songs that Dylan himself hasn’t performed, or indeed their own arrangement … Continue reading
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Bob Dylan And Mythology (Part X) “Vulcan, the God of Fire”
by Larry Fyffe The Beat writer quoted below walks in the footsteps of Villiers who writes the black-humoured, neoRomantic tale about “Tomorrow’s Eve”: Nobody has to care anymore, we can even leave the whole scene to itself with Japanese fornicating … Continue reading
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Dylan’s Never Ending Tour, 1989 part 1 – the sharper edge
By Mike Johnson (kiwipoet) Part One: Most of the time. ‘and I’m just like that bird singing just for you’ Coming from the tightly controlled performances of 1988, we find lots that’s new and different in 1989, despite the same … Continue reading
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