Author Archives: Tony Attwood

Dylan’s song of the year: 1982, and a way to discover the source of some wonderful singing

By Tony Attwood I don’t know if anyone else is enjoying this series of mine – either by agreeing with my choices, or picking out his/her own favourite song of a certain year.  But they are all listed on this … Continue reading

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Can a aDylan song be a life changing experience? Oh yes, but you might have to wait.

  By Tony Attwood Previously in this series. Restless Farewell Long and Wasted Years Mississippi Foot of Pride Things have changed Angelina Visions of Johanna Drifters’ Escape The point I am trying to make in this series is that although … Continue reading

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Does the order in which Bob wrote his songs really matter?

  By Tony Attwood In 1964 Bob wrote the lost love song, “I don’t believe you” but then quickly moved on to a couple of songs on other subjects.  Spanish Harlem which came next is a love song, Motorpsycho Nightmare … Continue reading

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The Philosophy of Modern Song: By the time I get to Phoenix

  Links for other songs selected by Bob Dylan within this series are given at the end. By Tony Attwood As I have noted, one of the many great things about Bob’s book, “The Philosophy of Modern Song,” is the … Continue reading

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Mother Of Muses part 2: To me writing a song was, you know, a miracle

  by Jochen Markhorst II To me writing a song was, you know, a miracle Mother of Muses, sing for my heart Sing of a love too soon to depart Sing of the heroes who stood alone Whose names are … Continue reading

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Dylan song of the year 1981: Angelina

    A list of earlier “Songs of the year” is given at the end of this piece.  Details of our other current series can be found on the home page.    Other recent articels include Bob Dylan: does art have … Continue reading

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Bob Dylan: does art have to mean something? The issue of Visions and trying to get to sleep.

    The Philosophy of Modern Song. Black Magic Woman – Carlos Santana Can a Dylan song be a life changing experience? The Drifter’s Escape expresses it all. By Tony Attwood If you are a regular reader of Untold Dylan, … Continue reading

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The Philosophy of Modern Song. Black Magic Woman – Carlos Santana

  By Tony Attwood I have this thing about Carlos Santana…. … in that his work is clearly highly regarded and loved by multitudes, but it is not just the music; he is just universally admired.  Besides, I know, there … Continue reading

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Can a Dylan song be a life changing experience? The Drifter’s Escape expresses it all.

By Tony Attwood Previously in this series. Restless Farewell Long and Wasted Years Mississippi Foot of Pride Things have changed Angelina Visions of Johanna This series contains a totally personal set of reflections about how a few Dylan compositions have … Continue reading

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Mother of Muses 1: The lyre and the laurel tree

Mother Of Muses part 1 by Jochen Markhorst I             The lyre and the laurel tree Mother of Muses, sing for me Sing of the mountains and the deep, dark sea Sing of the lakes and the nymphs of the forest … Continue reading

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Dylan songs as a life changing experience: Every grain of sand

  Previously in this series. Restless Farewell Long and Wasted Years Mississippi Foot of Pride Things have changed Angelina Visions of Johanna Every grain of sand “Every grain of sand” is an overtly Christian song, and is considered by most … Continue reading

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Mani And Mona

. By Larry Fyffe . According to Robert Graves’ writings (and others), the goddesses and gods of mythologies change over time. Mani, called Mona by songwriter Bob Dylan, is the god of the moon, and Sol, the goddess of the … Continue reading

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Untold Dylan: the book series

  By Tony Attwood (publisher of Untold Dylan). Jochen Markhorst is a regular reviewer of Dylan’s work on Untold and many of his books have appeared on this site as a series of articles. Thus, throughout you have a choice of … Continue reading

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Philosophy of Modern Song: Old and Only in the Way. And McKinley.

  By Tony Attwood This series looks at Bob’s selections of tracks for his post-doctoral book “The Philosophy of Modern Song”.  A list of the tracks we have covered so far appears at the end of the article. Today’s focus … Continue reading

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Key West part 27 (final): A tapestry of rich and royal hue

by Jochen Markhorst We are distracted by the cat, the soft, grazing light and Carole’s bare feet, but the needlepoint tapestry in question can also be seen on the cover; in her right hand. “A tapestry to feel and see, … Continue reading

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Dylan’s song of the year: 1980. Yonder Comes Sin

  Recent pieces Can a Bob Dylan song be a life-changing experience? Visions of Johanna Jan’s Take 5: Ballad Of Hollis Brown By Tony Attwood Ten years ago I wrote a piece about “Yonder Comes Sin” and raved about its … Continue reading

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From Lily and the Jack of Hearts to Modern Odds: Dylan’s Fascination with the Gamble

  There is a particular kind of character Dylan keeps returning to across sixty years of writing. Not the saint, not the protest hero, not even the drifter exactly. The gambler. The person who has agreed to live or die … Continue reading

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Can a Bob Dylan song be a life changing experience? Visions of Johanna

    By Tony Attwood Previously in this series. Restless Farewell Long and Wasted Years Mississippi Foot of Pride Things have changed Angelina This series contains a totally personal set of reflections about how a few Dylan compositions have had … Continue reading

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The Hollow Horn: Why Bob Dylan’s Songs May Not Stand the Test of Time.

Introductory comments by Tony Attwood, publisher. If you are a regular visitor to Untold Dylan, you will know that primarily the thoughts and comments you read here are very positive about Bob Dylan’s work as a lyricist and musician. However, … Continue reading

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The Philosophy of Modern Song: Long Tall Sally

By Tony Attwood Look it up on Google and you find that “Long Tall Sally” is a clothing shop for women who are over 5’8″ tall.  But the name of course comes from the Little Richard record – the clothing … Continue reading

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