Performances by Dylan of traditional songs, and those written by others, with explorations of their origins.
By Aaron Galbraith in USA and Tony Attwood in UK. An index to the other articles in this series if given at the end.
Aaron: “Stardust” was composed by Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times.
The first version with vocals was released in 1931 by Chester Leighton & His Sophomores
Tony: Not a song that I know but it strikes me as a very curious melody line. It sounds fine when played on the trumpet (I think) but when sung it just sounds very jumpy to me. I don’t recall Bob’s version at all… I am intrigued, and brought down several pegs through my lack of knowledge.
Aaron: In the following years, the song was recorded hundreds of times both instrumentally and vocally. The first rock star to record the song was Ringo Starr in 1970 on his Sentimental Journey album featuring an arrangement by Paul McCartney.
Tony: Now this is strange; with this version it makes a lot more musical sense to me – at least the first half of the verse does. But I did find this picture above both distracting and rather strange, as I do the wandering melody of the song. It took me a moment to realise there were people at the windows of the pub – I was further distracted by the boy on the bottom right, and the contradiction between the size of the pub with the terraced houses. It is a very strange picture all round. A very long pause on the final orchestral notes too. This really is a piece of music I’m not getting in the way everyone else seems to.
Aaron: In 1978, Willie Nelson recorded it as the title-track of his album of pop standards. In its review, the Gannett News Service felt that “Carmichael would be proud”. National Public Radio commented: “Today, people who never heard of Isham Jones or Artie Shaw or even composer Hoagy Carmichael know his work thanks to Willie Nelson.”
Tony: I guess I am totally back to front. I mean, I know the work of Hoagy Carmichael, for example, through songs like “Lazybones”, “The Nearness of You”, “Georgia on my Mind,” “Heart and Soul” and so on. I guess those were the songs I was brought up with (as I’ve probably mentioned before, my father was a pianist and saxophone player in dance bands in the era), but somehow of this song I have no memory. I guess my dad never played it, or didn’t like it.
But now I am getting used to it, I understand it a lot better. It still doesn’t do too much for me, but I guess I must have heard it before and now listening to several versions of it a couple of times, old memories buried deep are starting to re-emerge. Maybe my dad did play it…
Aaron: Dylan recorded it for Triplicate in 2017. Rolling Stone considered that “Dylan’s approach finds a pleasing, country-tinged arrangement” that the reviewer noted to be “somewhere between” Sinatra and Nelson’s version.
Tony: What a strange journey this has been. Now, having heard the versions above, as we get to Bob’s version, I do indeed find I remember it … a bit. It’s a lilting swing along but I feel maybe Bob is straining a little for the high notes.
I must admit that when Bob started to record the classics of American popular music I wondered why. I never had any problem with understanding why he was recording old blues songs, not least because his interpretations were generally original, and of course many people wouldn’t have known the songs at all until Bob came along, but the classics of American songs from the 1930s and 1940s… I’ve never been quite sure that he has added to our understanding.
Doing some background reading I’ve noted that Hoagy Carmichael recorded an instrumental version of the song, and discovering it now, 96 years after it was written, it seems to me that it works much better as an instrumental. But on the other hand it appears that over 1500 recordings of it with the lyrics have been made, so more than ever I’m out on my own over this one.
Ah well, but I have learned a lot, and a gap in my knowledge has been filled. As ever Aaron I’m obliged to you for improving my education! Mind you, it’s a good thing we didn’t start with this song, otherwise I might have abandoned the series before we started. As it is, this is episode 70. As I say Aaron, I’m obliged to you. I’m still learning something every day.
Other people’s songs…
- Other people’s songs. How Dylan covers the work of other composers
- Other People’s songs: Bob and others perform “Froggie went a courtin”
- Other people’s songs: They killed him
- Other people’s songs: Frankie & Albert
- Other people’s songs: Tomorrow Night where the music is always everything
- Other people’s songs: from Stack a Lee to Stagger Lee and Hugh Laurie
- Other people’s songs: Love Henry
- Other people’s songs: Rank Stranger To Me
- Other people’s songs: Man of Constant Sorrow
- Other people’s songs: Satisfied Mind
- Other people’s songs: See that my grave is kept clean
- Other people’s songs: Precious moments and some extras
- Other people’s songs: You go to my head
- Other people’s songs: What’ll I do?
- Other people’s songs: Copper Kettle
- Other people’s songs: Belle Isle
- Other people’s songs: Fixing to Die
- Other people’s songs: When did you leave heaven?
- Other people’s songs: Sally Sue Brown
- Other people’s songs: Ninety miles an hour down a dead end street
- Other people’s songs: Step it up and Go
- Other people’s songs: Canadee-I-O
- Other people’s songs: Arthur McBride
- Other people’s songs: Little Sadie
- Other people’s songs: Blue Moon, and North London Forever
- Other people’s songs: Hard times come again no more
- Other people’s songs: You’re no good
- Other people’s songs: Lone Pilgrim (and more Crooked Still)
- Other people’s songs: Blood in my eyes
- Other people’s songs: I forgot more than you’ll ever know
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Highway 51
- Other people’s songs: Jim Jones
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Jim Jones
- Other people’s songs: Highway 51 Blues
- Other people’s songs: Freight Train Blues
- Other People’s Songs: The Little Drummer Boy
- Other People’s Songs: Must be Santa
- Other People’s songs: The Christmas Song
- Other People’s songs: Corina Corina
- Other People’s Songs: Mr Bojangles
- Other People’s Songs: It hurts me too
- Other people’s songs: Take a message to Mary
- Other people’s songs: House of the Rising Sun
- Other people’s songs: “Days of 49”
- Other people’s songs: In my time of dying
- Other people’s songs: Pretty Peggy O
- Other people’s songs: Baby Let me Follow You Down
- Other people’s songs: Gospel Plow
- Other People’s Songs: Melancholy Mood
- Other people’s songs: The Boxer and Big Yellow Taxi
- Other people’s songs: Early morning rain
- Other people’s Songs: Gotta Travel On
- Other people’s songs: “Can’t help falling in love”
- Other people’s songs: Lily of the West
- Other people’s songs: Alberta
- Other people’s songs: Little Maggie
- Other people’s songs: Sitting on top of the world
- Dylan’s take on “Let it be me”
- Other people’s songs: From “Take me as I am” all the way to “Baker Street”
- Other people’s songs: A fool such as I
- Other people’s songs: Sarah Jane and the rhythmic changes
- Other people’s songs: Spanish is the loving tongue. Author drawn to tears
- Other people’s songs: The ballad of Ira Hayes
- Other people’s songs: The usual
- Other people’s songs: Blackjack Davey
- Other people’s songs: You’re gonna quit me
- Other people’s songs: You belong to me
Not sure what is suggested here ….
memory of song lyrics cannot just be shut down as if never heard, faded though they may be ,..
A different story if never known by a listener
Add to that what Dylan’s says in his book bout putting words and music together ..,
It’s akin to an ‘alchemic’ process rather than being a purely scientfic’ one.