by Larry Fyffe.
An index to past episodes and an index of the cover versions of Dylan songs from this series are given at the end of the article.
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The associative Postmodernist Dylavinci Odyssey continues; things get downright interesting.
Mary Magdalenes’s body gets placed in the judgement hall of Christ.
That is, in the Egyptian Sphinx, the ‘way out’ that allows the wayward drifter to escape.
Time traveller Bob Dylan, shape-shifts into Christ (plays a joke on Henry, a Scottish Rastafarian, which fools Queen Mary into committing suicide when Jesus and wife Mary Magdalene vacation in Ethiopia).
Sure enough, Jesus swears to God Almighty that He’ll never again be taken in, never again be enticed, by bright eyes like those of the demonic darling Mary Magdalene.
So beautiful Magdalene be; so like Annabel Lee, a distant cousin of the high-born Scotchman Henry Lee:
For the moon never beams without bringing me dreams Of the beautiful Annabel Lee And the stars never rise but I see the bright eyes Of beautiful Annabel Lee And so, all the night tide, I lay down by the side Of my darling, my darling, my life and my bride In her sepulchre there by the sea In her tomb by the side of the sea (Edgar Allan Poe: Annabel Lee)
Maggie of Magdala, so like the dead beauty laid out in a hospital that’s named after St. James the Great, one of the twelve apostles, and the patron saint of Spain – aka “Big Jim”:
I went down to St. James Infirmary Saw my baby there Stretched out on a long white table So cold, so sweet, so fair (Louis Armstrong: St. James Infirmary ~ traditional)
Everything is delivered by the song lyrics quoted below when the Dylavinci Code therein is unravelled as carefully as a wrapped-up mummy.
With second thoughts, Jesus muses that perhaps there was no need to rush headlong into redemption.
Maybe there’s still time to be enticed yet again into temptation by Mary who lies so sweetly stretched out in her cold sepulchre within the walls of the Sphinx.
But perhaps not:
You're the queen of my flesh, girl You're my woman, you're my delight You're the lamp of my soul, and you torch up my life But there's violence in the eyes, girl, so let us not be enticed On the way out of Egypt, through Ethiopia to the judgement hall of Christ (Bob Dylan: Precious Angel)
According to the Code, Jesus is angry, thinks Mary’s sister can be damned:
Ring them bells Sweet Martha for the poor man's son Ring them bells so the world will know God is one (Bob Dylan: Ring Them Bells)
And Saint Jerome, with his ‘original sin’, can be damned too:
You bring it up to Saint Jerome You can bring it all the way over Bring it all back home (Bob Dylan: My Own Version Of You)
Which brings us back to the play on words, such as “home”/”Holme”, in the following song about Sin City:
Scarlet Town in the month of May Sweet William Holme on his deathbed lay Miss Mary by the side of the bed Kissing his face, and heaping prayers on his head So brave, so true, so gentle is he I'll weep for him as he would weep for me Little Boy Blue come blow your horn In Scarlet Town where I was born (Bob Dylan: Scarlet Town)
https://youtu.be/U3XP-S2Z9xw
The Dylavinci Code Index to videos (songs without links are in the article above)
- Ahab The Arab -Ray Stevens
- Angelina -Bob Dylan
- Bob Dylan’s 115th Dream -John Bull And The Bandits
- Changing Of The Guards -Whitley & Lang
- Changing Of The Guards -Gaslight Anthem
- Crossing The Rubicon -Bob Dylan
- Drifter’s Escape -George Thorogood/Destroyers
- Duquesne Whistle -Benmont Tench
- False Prophet -Bob Dylan
- Goodbye Jimmy Reed -Bob Dylan
- Groom’s Still Waiting At The Altar -Elkie Brooks
- Handy Dandy -Bob Dylan
- High Water – Joan Osborne
- Highway 61 Revisited -Ross Scrivener
- I Contain Multitudes -Emma Swift
- I Dreamed I Saw St Augustine – John Doe
- Idiot Wind -Gerard Quintana
- Idiot Wind -The Coal Porters
- I’ll Be Your Baby Tonight -Robert Palmer
- Isis – Julie Corbalis
- Isis -White Stripes
- Just Like A Woman -Old Crow Medicine Show
- Little Maggie – Bob Dylan
- Lord Protect My Child -Susan Tedeshi
- Maggie’s Farm -Chicken Diamond
- Maggie’s Farm -The Specials
- Maggie’s Farm – Zero Prophet
- Maggie’s Farm – Jimmy Vivino And The Black Italians
- Mary And The Soldier – Bob Dylan
- Memphis Blues – HC Handy
- My Own Version Of You -Bob Dylan
- Precious Angel – The Weather Station
- Pretty Mary -Bob Dylan/Band
- Ring Them Bells -Muscle And Bone
- Ring Them Bells – McCrary Sisters
- Rocky Racoon -Charlie Parr
- Romance In Durango – Julie Felix
- Romance In Durango -Gerard Quintana
- Scarlet Town -Bob Dylan
- Seeing The Real You At Last -Bettye Lavette
- Sign On The Window -Al Turk
- Slow Train – Clas Yngstrom
- Stuck inside Of Mobile – North Mississippi Alstars
- Summer Days -Brothers Lazaroff
- Talking World War III Blues -Toni Vescoli
- Tin Angel – Bob Dylan
- Visions Of Johanna – Stephen Inglis
Index to past episodes
- Bob Dylan And The Dylavinci Code Part 1
- Bob Dylan And The DylavincI Code (Part II)
- Bob Dylan And The DylavincI Code (Part III)
- Bob Dylan And The DylavincI Code (Part IV)
- Bob Dylan And The DylavincI Code (Part V)
- Bob Dylan And The Dylavinci Code (Part VI)
- Bob Dylan And The DylavincI Code (Part VII)
- Bob Dylan And the Dylanvinci Code Part VIII
- Bob Dylan And The DylavincI Code (Part IX)
- Bob Dylan And The DylavincI Code (Part X)
- Bob Dylan And The DylanvincI Code (Part XI)
- Bob Dylan and The DylanvincI Code (Part XII)
- Bob Dylan And The Dylavinci Code (Part XIII)
- Bob Dylan And The Dylanvinci Code (Part XIV)
- Bob Dylan And The Dylavinci Code (Part XV)
- Bob Dylan And The Dylavinci Code (Part XVI)
Omitted in the Weather Station song be the rather ambiguous verse that
says ‘let us NOT be enticed….to the judgement hall of Christ’, an omission
which lightens the meaning somewhat, suggesting that there is a redeeming light rather than including lyrics about religious faith which claims to have a shining light therein even though the external world is filled with moral darkness; ie, with an anti-environmental agenda , and a history of slavery.
For sure, Friedrich Nietzsche did not write the following song lyrics:
Heal the sick, and raise the dead
Let Your light from the lighthouse
Shine on me
(Blind Willie Johnson: Let Your Light Shine On Me)
The light shed by William Blake’s poetry shines among the living:
Shine your light
Move it on
You burned so bright
(Bob Dylan: Roll On John)
*as he’d weep for me