By Aaron Galbraith and Tony Attwood
Aaron: “Angel Flying Too Close to the Ground” is a song by Willie Nelson and released in 1980 on the Honeysuckle Rose soundtrack, and later as the soundtrack’s second single in January 1981. The single was Nelson’s seventh number one on the country chart as a solo artist and stayed at number one for one week and spent a total of fourteen weeks on the country chart.
Tony: As you’ll probably know by now after all the writing Aaron and I have done together, he’s in the USA and I’m in England, and sometimes we have a problem in that a video he selects which works in America, doesn’t work in the UK. So if the first one here doesn’t work for you (as it doesn’t for me), there is a second video beneath.
Tony: So I don’t know if this is the same version as you have been listening to Aaron, but I’m hoping it is close enough.
Here are the lyrics
If you had not a-fallen, then I would not have found you Angel flying too close to the ground And I patched up your broken wing And hung around a while Trying to keep your spirits up And your fever down I knew someday that you would fly away For love's the greatest healer to be found So leave me if you need to, I will still remember Angel flying too close to the ground
It is completely emotional – helping someone repair their life and letting them go even though it leaves a vast gap in one’s own life. A song of self-sacrifice indeed.
Aaron: Bob Dylan covered the song during the recording sessions for his 1983 album Infidels. The song appeared as the B-side to four different international single releases in support of the album and later The Bootleg Series Vol. 16: Springtime in New York 1980–1985.
Tony: Bob plays it dead straight – as indeed is the only way to approach this song, along with the harmonies behind – until we get to the harmonica solo. But Bob’s harmonica playing (covered so well and in so much detail in the Master Harpist series on this site) carries on its own so many implications and feelings that I was somewhat taken aback by the first introduction of the instrumental verse.
However by the second section of harmonica playing the emotions had risen so far that I guess it fits in better. And indeed it seems that the whole point of Bob’s version is the coda in which the chorus is repeated several times. In fact this almost seems to make the main body of the song irrelevant – which of course in the original it wasn’t.
I am really uncertain about this… I love Bob’s work for the musical and lyrical invention but here we have one line repeated over and over both lyrically and musically, and I just wonder why. It seems very un-Bob-like to me, almost as if he was told to make the track, and did so, without much musical thought.
Of course Bob can do anything he likes, but I just wonder why he chose to do this song. It is also (to me, and as ever it is just me) as if someone persuaded him to, and he agreed. But of course, as always, these are just my thoughts, and could be completely out of place.
Aaron: Alison Krauss included it on the Target exclusive version of her 2017 release Windy City.
Tony: Now we are back to the original style and approach of the song, and I do think the piano accompaniment is emotionally appropriate and at the same time inventive. Yes, I’ll go with this completely as the instrumental verse also fits in with the whole essence of the piece. It’s not a track I would want to play over and again, but for me it has a coherence of music and lyrics which Bob’s approach loses. (The track stops suddenly, but I am sure that must be a fault of the video, it can’t have been how the recording was made).
Aaron: Willie Nelson’s son Lukas Nelson recorded a version with Neil Young for the Paradox album and movie
Tony: What an amazing cover illustration on the record – but I am not at all sure of the point of the first 20 seconds of the music, nor indeed the first moments of the song… but it is delicate and sincere. Although there are elements therein that do disturb me a bit at the start with the repeated notes and moments of the guitarist repeating notes and trying out virtuoso inserts. Somehow the guitarist is, to me, occasinally showing off when in fact the recording should, in my view, be about the song, not about the technical ability of the instrumentalists.
Overall it is a strange interpretation – just as the cover illustration is strange. But the vocals are beautiful – a perfect interpretation in my view. So if we could have these vocals, and a backing in which the musicians just kept it dead simple, that would work for me.
Goodness, I think I am getting very curmudgeonly in my old age.
Meanwhile here are the previous editions…
- Other people’s songs. How Dylan covers the work of other composers
- Other People’s songs: Bob and others perform “Froggie went a courtin”
- Other people’s songs: They killed him
- Other people’s songs: Frankie & Albert
- Other people’s songs: Tomorrow Night where the music is always everything
- Other people’s songs: from Stack a Lee to Stagger Lee and Hugh Laurie
- Other people’s songs: Love Henry
- Other people’s songs: Rank Stranger To Me
- Other people’s songs: Man of Constant Sorrow
- Other people’s songs: Satisfied Mind
- Other people’s songs: See that my grave is kept clean
- Other people’s songs: Precious moments and some extras
- Other people’s songs: You go to my head
- Other people’s songs: What’ll I do?
- Other people’s songs: Copper Kettle
- Other people’s songs: Belle Isle
- Other people’s songs: Fixing to Die
- Other people’s songs: When did you leave heaven?
- Other people’s songs: Sally Sue Brown
- Other people’s songs: Ninety miles an hour down a dead end street
- Other people’s songs: Step it up and Go
- Other people’s songs: Canadee-I-O
- Other people’s songs: Arthur McBride
- Other people’s songs: Little Sadie
- Other people’s songs: Blue Moon, and North London Forever
- Other people’s songs: Hard times come again no more
- Other people’s songs: You’re no good
- Other people’s songs: Lone Pilgrim (and more Crooked Still)
- Other people’s songs: Blood in my eyes
- Other people’s songs: I forgot more than you’ll ever know
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Highway 51
- Other people’s songs: Jim Jones
- Other people’s songs: Let’s stick (or maybe work) together.
- Other people’s songs: Jim Jones
- Other people’s songs: Highway 51 Blues
- Other people’s songs: Freight Train Blues
- Other People’s Songs: The Little Drummer Boy
- Other People’s Songs: Must be Santa
- Other People’s songs: The Christmas Song
- Other People’s songs: Corina Corina
- Other People’s Songs: Mr Bojangles
- Other People’s Songs: It hurts me too
- Other people’s songs: Take a message to Mary
- Other people’s songs: House of the Rising Sun
- Other people’s songs: “Days of 49”
- Other people’s songs: In my time of dying
- Other people’s songs: Pretty Peggy O
- Other people’s songs: Baby Let me Follow You Down
- Other people’s songs: Gospel Plow
- Other People’s Songs: Melancholy Mood
- Other people’s songs: The Boxer and Big Yellow Taxi
- Other people’s songs: Early morning rain
- Other people’s Songs: Gotta Travel On
- Other people’s songs: “Can’t help falling in love”
- Other people’s songs: Lily of the West
- Other people’s songs: Alberta
- Other people’s songs: Little Maggie
- Other people’s songs: Sitting on top of the world
- Dylan’s take on “Let it be me”
- Other people’s songs: From “Take me as I am” all the way to “Baker Street”
- Other people’s songs: A fool such as I
- Other people’s songs: Sarah Jane and the rhythmic changes
- Other people’s songs: Spanish is the loving tongue. Author drawn to tears
- Other people’s songs: The ballad of Ira Hayes
- Other people’s songs: The usual
- Other people’s songs: Blackjack Davey
- Other people’s songs: You’re gonna quit me
- Other people’s songs: You belong to me
- Other people’s songs: Stardust
- Other people’s songs: Diamond Joe
- Other people’s songs: The Cuckoo
- Other people’s songs: Come Rain or Come Shine
- Other people’s songs: Two soldiers and an amazing discovery
- Other people’s songs: Pretty Boy Floyd
- Other people’s songs: My Blue Eyed Jane
- That Old Black Magic (and a lot of laughs)
This is not the version that is on Springtime ,Tony will probably like that one better.
What is so nice about this version is that he sings with Clyde King ,and I guess that is why the coda keeps going (they love to sing together)
I listened to all the versions. Willie’s original is far and away the “winner”. He has a unique vocal and guitar playing style that packs an emotional wallop the others can’t match, not even Bob Dylan. Sorry Bob, Alison , Neil, Lukas … the old man just has that certain something no one else has.