I don’t know what it means either: an index to the current series appearing on this website.
A list of the previous articles in the “Dylan cover a day” series is printed at the end.
by Tony Attwood
There have been a couple of articles on “Where are you tonight” over the years on this site and each time we note the singular lack of cover versions of what, I would suggest, is a very coverable song.
Quite why no one wants to take it on, when some other Dylan songs have got cover after cover after cover I have no idea. But there it is.
There is a passable home recording available through this link by Dave Tilton and it deserves a mention because where so many others have failed to deliver he has produced a recording.
There is full band version which is certainly a good representation of the song, and worth hearing, although it doesn’t take us any further in our understanding of the piece. This is Winn Dillon.
Otherwise we mostly have recordings made by solo singers doing their own version. This is Dewey Paul
Katie Robbins is to my mind the best of the few covers that we have, just because she has a voice that to me seems to particularly suited to the song. I find her movements irrelevant, but that’s probably just me.
So where does that leave us? For myself I just feel there must be much more one can do covering this song. But then maybe everyone thinking of covers does the same as me and takes the songs to be covered in alphabetical order, so gets bored, or dies, before they to to W.
But it is also possible that the problem is the music. Basically there are six couplets which musically are identical, rotating across two chords. Then you get the chorus which is a relief. But then there are six couplets, and a chorus again. Then there are not six but eight couplets, and then the final chorus.
In case I am not being clear, here are the first two couplets
There's a long distance train rolling through the rainTears on the letter I write There's a woman I long to touch and I missin' her so much But she's drifting like a satellite
Now Dylan can get away with this because we hang on every word, but a cover artist needs more than this to hold the audience, and there is the problem. Because the nature of the music is such that it is quite hard to do anything with those couplets. But short of doing a total rewrite of the accompaniment and thus changing the nature of the song I am not sure what anyone else can do. In effect Dylan has made the song virtually cover-proof.
It works on the album because it is part of the album. In the live version the female chorus helps, and Dylan himself varies his way of singing the lines, adding new emphases and well, it’s Bob, and it’s live, so we’ll accept it.
And here’s a thought: after 33 performances even Bob gave up on the song.
Dylan live
Previously in the series
- The song with numbers in the title.
- Ain’t Talkin
- All I really want to do
- Angelina
- Apple Suckling and Are you Ready.
- As I went out one morning
- Ballad for a Friend
- Ballad in Plain D
- Ballad of a thin man
- Frankie Lee and Judas Priest
- The ballad of Hollis Brown
- Beyond here lies nothing
- Blind Willie McTell
- Black Crow Blues (more fun than you might recall)
- An unexpected cover of “Black Diamond Bay”
- Blowin in the wind as never before
- Bob Dylan’s Dream
- BoB Dylan’s 115th Dream revisited
- Boots of Spanish leather
- Born in Time
- Buckets of Rain
- Can you please crawl out your window
- Can’t wait
- Changing of the Guard
- Chimes of Freedom
- Country Pie
- Crash on the Levee
- Dark Eyes
- Dear Landlord
- Desolation Row as never ever before (twice)
- Dignity.
- Dirge
- Don’t fall apart on me tonight.
- Don’t think twice
- Down along the cove
- Drifter’s Escape
- Duquesne Whistle
- Farewell Angelina
- Foot of Pride and Forever Young
- Fourth Time Around
- From a Buick 6
- Gates of Eden
- Gotta Serve Somebody
- Hard Rain’s a-gonna Fall.
- Heart of Mine
- High Water
- Highway 61
- Hurricane
- I am a lonesome hobo
- I believe in you
- I contain multitudes
- I don’t believe you.
- I love you too much
- I pity the poor immigrant.
- I shall be released
- I threw it all away
- I want you
- I was young when I left home
- I’ll remember you
- Idiot Wind and More idiot wind
- If not for you, and a rant against prosody
- If you Gotta Go, please go and do something different
- If you see her say hello
- Dylan cover a day: I’ll be your baby tonight
- I’m not there.
- In the Summertime, Is your love and an amazing Isis
- It ain’t me babe
- It takes a lot to laugh
- It’s all over now Baby Blue
- It’s all right ma
- Just Like a Woman
- Knocking on Heaven’s Door
- Lay down your weary tune
- Lay Lady Lay
- Lenny Bruce
- That brand new leopard skin pill box hat
- Lily, Rosemary and the Jack of Hearts
- License to kill
- Like a Rolling Stone
- Love is just a four letter word
- Love Sick
- Maggies Farm!
- Make you feel my love; a performance that made me cry.
- Mama you’ve been on my mind
- Man in a long black coat.
- Masters of War
- Meet me in the morning
- Million Miles. Listen, and marvel.
- Mississippi. Listen, and marvel (again)
- Most likely you go your way
- Most of the time and a rhythmic thing
- Motorpsycho Nitemare
- Mozambique
- Mr Tambourine Man
- My back pages, with a real treat at the end
- New Morning
- New Pony. Listen where and when appropriate
- Nobody Cept You
- North Country Blues
- No time to think
- Obviously Five Believers
- Oh Sister
- On the road again
- One more cup of coffee
- (Sooner or later) one of us must know
- One too many mornings
- Only a hobo
- Only a pawn in their game
- Outlaw Blues – prepare to be amazed
- Oxford Town
- Peggy Day and Pledging my time
- Please Mrs Henry
- Political world
- Positively 4th Street
- Precious Angel
- Property of Jesus
- Queen Jane Approximately
- Quinn the Eskimo as it should be performed.
- Quit your lowdown ways
- Rainy Day Women as never before
- Restless Farewell. Exquisite arrangements, unbelievable power
- Ring them bells in many different ways
- Romance in Durango, covered and re-written
- Sad Eyed Lady of Lowlands, like you won’t believe
- Sara
- Senor
- A series of Dreams; no one gets it (except Dylan)
- Seven Days
- She Belongs to Me
- Shelter from the Storm
- Sign on the window
- Silvio
- Simple twist of fate
- Slow Train
- Someday Baby
- Spanish Harlem Incident
- Standing in the Doorway
- Stuck inside of Mobile with the Memphis Blues Again
- Subterranean Homesick Blues
- Sweetheart Like You
- Tangled up in Blue
- Tears of Rage
- Temporary Like Achilles. Left in the cold, but there’s still something…
- The Groom’s Still Waiting at the Altar
- The Lonesome Death of Hattie Carroll
- The Man in Me
- Times they are a-changin’
- The Wicked Messenger
- Things have changed
- This Wheel’s on Fire
- Thunder on the mountain
- Till I fell in love with you in the north of Norway
- Time Passes Slowly – just sit down and close your eyes
- To be alone with you
- To Ramona: unexpectedly yes!
- Tombstone Blues
- Tonight I’ll be Staying Here With You
- Too much of nothing
- Trouble as you have never been troubled before
- Tryin’ to get to Heaven
- Unbelievable
- “Up to Me” and a return to earlier days
- Visions of Johanna
- Walking down the line
- Whatcha gonna do
- Well Well Well
- Went to see the Gypsy.
- What good am I?
- What was it you wanted
- When I paint my masterpiece
- When the night comes falling from the sky
- When the ship comes in
- When He Returns
- When the deal goes down
- Where are you tonight
I agree that the Katie Robbins version (ignoring the video!) has a lot of good points.
But for me the best cover of this is by Michel Griffin:
https://www.youtube.com/watch?v=IiVAFUCsu7Y
He nails the gradual build-up in intensity (both within each verse, and through the whole song) which is so key to interpreting the lyrics, which in my view are among Dylan’s finest. And the instrumental section at the end is an interesting alternative to the “Hey hey hey …” vocals of the original.
It’s such an important song, coming at the end of the album which marks the “Changing of the Guard”, and pointing to what comes next – the “long distance train” in the first line is surely the gospel train of the next album. It’s also looking back to the woman he has now lost forever; he still wishes she could accompany him into this strange new landscape. But the ultimate emotion is one of wonder – “I can’t believe it”.