By Tony Attwood
This is one of those songs where lots of amateur performers have created solo versions which they feel are worthy of worldwide attention and so have put them on the internet, but which professional performers have by and large tended to ignore.
And in such circumstances, I do listen to the amateur productions in the hope of finding a pearl, but the problem is that such performers do tend to perform it as Dylan does – or as near as they can get. Which is the problem – because we’ve already got the Dylan versions
Unless of course this is one of those occasions where I have simply not found the ultimate cover – which is in fact the conclusion I reach at the end (just in case you don’t want to plough through all my ramblings).
This song was never a Dylan favourite – he played it on tour some 61 times during the 1986/7 tour, but that was it – at least according to the official site (which, if you are a regular reader of my ramblings on other topics here, you will know we have now discovered is not as accurate as one might wish.)
Anyway, we have a few versions, so here we go…
Jeff Healey Band
This version starts on around one minute, after the introductory chitchat from the double guitarist – double in the sense that he is playing two guitars – one as a rhythm guitar and the other as a lead which he switches to for the brief breaks. I have to admit I have not seen this done before, and it is done in the instrumental break with extraordinary effect.
I imagine it must take a huge amount of practice to move from the standard way of playing to be able to do this, although as far as I know he always played like this from the very start.
I find this an utterly stunning piece of reworking of the Dylan song, which really takes the original much, much further.
Jeff Healey died of cancer in 2007 – a tragic loss.
The Black Crows
The Black Crows go in for a full-bloodied full-on version, which I guess reflects the implication of tragedy contained within the title. And yet I am not sure this is the right treatment. After all the lyrics begin
You can look out across the fields, see me returningSmoke is in your eye, you draw a smile From the fireplace where all my letters to you are burning You've had time to think about it for a while
But maybe we shouldn’t pay too much attention to the lyrics.
Lucious
But of course, the song doesn’t have to be belted out at full blast and in this next version it seems to me the lyrics are considered much more comprehensively
I walked 200 miles, now look me overIt's the end of the chase and the moon is high It don't matter who loves who Either you love me or I love you When the night comes falling from the sky
I particularly like the way the percussion holds back, although when it does enter fulsomely in the third verse, I have a feeling that maybe it is just too much. But there again there are those lovely harmonies over the repeated title line.
But still, for me, by this time we are getting rather overloaded – and it strikes me a set of singers could do an unaccompanied version of this. For here I think that they have taken the song up so far before the instrumental break that it then urgently needs taking back down thereafter.
And they do this with the solo section, but then in comes that percussion again. Overall it is tantalisingly close to a version I can hear in my head, but destroyed by an unneeded accompaniment.
And yes I do appreciate that the concept of the night falling from the sky is dramatic – but I just imagine a contrast between that repeated line, and … well,, silence.
Dylan and Petty
I’m sorry to say I can’t make out what Bob is saying at the start of this piece – and that’s a shame for it could be just the insight into what he then does that I am looking for.
As you will expect the two rockers treat this as a rock song – and of course it works perfectly well as that. So my thoughts about it being a much gentler song are really just about its potential. For me, the female chorus is not needed – and yes of course the concept of the night falling is as dramatic as you can get. So it’s just me. I’ve had enough drama; I’d like the sky to fall gently and quietly – such an event could be just as dramatic.
But then, if your audience is standing and bouncing up and down and indeed going wild, this is what they want.
Previously in the series
- The song with numbers in the title.
- Ain’t Talkin
- All I really want to do
- Angelina
- Apple Suckling and Are you Ready.
- As I went out one morning
- Ballad for a Friend
- Ballad in Plain D
- Ballad of a thin man
- Frankie Lee and Judas Priest
- The ballad of Hollis Brown
- Beyond here lies nothing
- Blind Willie McTell
- Black Crow Blues (more fun than you might recall)
- An unexpected cover of “Black Diamond Bay”
- Blowin in the wind as never before
- Bob Dylan’s Dream
- BoB Dylan’s 115th Dream revisited
- Boots of Spanish leather
- Born in Time
- Buckets of Rain
- Can you please crawl out your window
- Can’t wait
- Changing of the Guard
- Chimes of Freedom
- Country Pie
- Crash on the Levee
- Dark Eyes
- Dear Landlord
- Desolation Row as never ever before (twice)
- Dignity.
- Dirge
- Don’t fall apart on me tonight.
- Don’t think twice
- Down along the cove
- Drifter’s Escape
- Duquesne Whistle
- Farewell Angelina
- Foot of Pride and Forever Young
- Fourth Time Around
- From a Buick 6
- Gates of Eden
- Gotta Serve Somebody
- Hard Rain’s a-gonna Fall.
- Heart of Mine
- High Water
- Highway 61
- Hurricane
- I am a lonesome hobo
- I believe in you
- I contain multitudes
- I don’t believe you.
- I love you too much
- I pity the poor immigrant.
- I shall be released
- I threw it all away
- I want you
- I was young when I left home
- I’ll remember you
- Idiot Wind and More idiot wind
- If not for you, and a rant against prosody
- If you Gotta Go, please go and do something different
- If you see her say hello
- Dylan cover a day: I’ll be your baby tonight
- I’m not there.
- In the Summertime, Is your love and an amazing Isis
- It ain’t me babe
- It takes a lot to laugh
- It’s all over now Baby Blue
- It’s all right ma
- Just Like a Woman
- Knocking on Heaven’s Door
- Lay down your weary tune
- Lay Lady Lay
- Lenny Bruce
- That brand new leopard skin pill box hat
- Lily, Rosemary and the Jack of Hearts
- License to kill
- Like a Rolling Stone
- Love is just a four letter word
- Love Sick
- Maggies Farm!
- Make you feel my love; a performance that made me cry.
- Mama you’ve been on my mind
- Man in a long black coat.
- Masters of War
- Meet me in the morning
- Million Miles. Listen, and marvel.
- Mississippi. Listen, and marvel (again)
- Most likely you go your way
- Most of the time and a rhythmic thing
- Motorpsycho Nitemare
- Mozambique
- Mr Tambourine Man
- My back pages, with a real treat at the end
- New Morning
- New Pony. Listen where and when appropriate
- Nobody Cept You
- North Country Blues
- No time to think
- Obviously Five Believers
- Oh Sister
- On the road again
- One more cup of coffee
- (Sooner or later) one of us must know
- One too many mornings
- Only a hobo
- Only a pawn in their game
- Outlaw Blues – prepare to be amazed
- Oxford Town
- Peggy Day and Pledging my time
- Please Mrs Henry
- Political world
- Positively 4th Street
- Precious Angel
- Property of Jesus
- Queen Jane Approximately
- Quinn the Eskimo as it should be performed.
- Quit your lowdown ways
- Rainy Day Women as never before
- Restless Farewell. Exquisite arrangements, unbelievable power
- Ring them bells in many different ways
- Romance in Durango, covered and re-written
- Sad Eyed Lady of Lowlands, like you won’t believe
- Sara
- Senor
- A series of Dreams; no one gets it (except Dylan)
- Seven Days
- She Belongs to Me
- Shelter from the Storm
- Sign on the window
- Silvio
- Simple twist of fate
- Slow Train
- Someday Baby
- Spanish Harlem Incident
- Standing in the Doorway
- Stuck inside of Mobile with the Memphis Blues Again
- Subterranean Homesick Blues
- Sweetheart Like You
- Tangled up in Blue
- Tears of Rage
- Temporary Like Achilles. Left in the cold, but there’s still something…
- The Groom’s Still Waiting at the Altar
- The Lonesome Death of Hattie Carroll
- The Man in Me
- Times they are a-changin’
- The Wicked Messenger
- Things have changed
- This Wheel’s on Fire
- Thunder on the mountain
- Till I fell in love with you in the north of Norway
- Time Passes Slowly – just sit down and close your eyes
- To be alone with you
- To Ramona: unexpectedly yes!
- Tombstone Blues
- Tonight I’ll be Staying Here With You
- Too much of nothing
- Trouble as you have never been troubled before
- Tryin’ to get to Heaven
- Unbelievable
- “Up to Me” and a return to earlier days
- Visions of Johanna
- Walking down the line
- Whatcha gonna do
- Well Well Well
- Went to see the Gypsy.
- What good am I
- What was it you wanted
- When I paint my masterpiece
What Bob says before performng “When The Night Comes Falling From The Sky”:
Thank you
Here’s a song I wrote a while back …a record called ‘Empire Burlesque’
But I know it’s not here yet
I just got out of prison
Anyway, a time I was talking to people – you know, the kind of people that sit around and judge you all the time
How many of you people have had that kind of experience?
You know the kind of people that constantly say “impress me”
You feel like that you got to impress them all the time
Judges … they judge you all the time
I don’t like those kind of people
Judge not, that ye be not judged. For with what judgment ye judge, ye shall be judged
(Matthew 7: 1,2)
That is, one cannot know what troubles lie within another’s heart.